Each Entanglement is a selection of three ArtsEverywhere posts along with a brief text describing the common thread between them
A week after the opening of Dispatches from the Ghost Ship at the Queens Museum in July, artist Jacob Cohen was approached by his employers who relayed a threat levied by the Department of Corrections (DOC). The exhibition included over...
The destruction by fire of the National Museum in Brazil this week is a blow to the world’s cultural history. Buried near the end of a number of mainstream media articles about the massive loss of the museum’s collection (90%...
(Banner image: Chto Delat, Monument to the Century of Revolutions, 2017, installation at Toronto’s Nuit Blanche. Photo credit: Dmitry Vilensky.) Over the past couple weeks (months… years…) I have found it impossible to escape a constant barrage of images. Children in...
I was busy and distracted when the most recent ArtsEverywhere post arrived with its heading “Putin’s Very Best Day.” As I clicked through various posts to get a sense of where the entanglements of Nikolay Oleynikov and Alessandra Pomarico would...
Last Sunday, one week before the Russian presidential elections, with my punk band I took part in a benefit gig to support five young antifascists who were recently kidnapped, detained, and tortured by the FSB special agency, called the Centre...
I am the space of protest. (dedicated to those who take to the streets) This one is dedicated to protest. To those people who resist being jaded and all forms of nihilism, pessimism, discouragement, or comfort and instead, they take...
In his essay, Michael Roberson reminds us that the immense resilience and creativity of the House | Ballroom community are deeply historical and politicized. Roberson writes from within “a freedom movement, a radical pedagogy, and a spiritual formation in response...
In his 1988 essay entitled “The City as Wave-Trough in the Image Flood”, Vilém Flusser offers a novel way to conceive of an urban centre: as a weighted place that imposes on a gravitational field and draws people towards it....
ArtsEverywhere, and its host organization, Musagetes, are deeply invested in practices of improvisation, musically and otherwise. One of our partners, the International Institute for Critical Studies in Improvisation, based at the University of Guelph, has developed an extensive body of...
It is impossible to list the multitude of experiences and assumptions that each of us brings to every action and interaction. In our current state of affairs, it is ever more crucial to find ways of understanding our multi-faceted selves,...
Be it through mass displacements; transnational migration of ideas or bodies; or a transition of gender, thought, or lives, these three articles demonstrate how the connectedness of the world—beyond its economic interdependence—can bring us to different ways of experiencing the...
Our world is criss-crossed with borders. But what happens when those borders begin to entangle and the spaces in-between begin to overlap again? Three contributors to ArtsEverywhere offer contrasting, but complementary conceptual frames for thinking about this. Raphael Daibert, writing...
An idea has been echoed by three writers from vastly different latitudes: the concept that political (and thereby personal) trauma is physically housed in the body. This trauma can be passed down from generation to generation, especially to receptive bodies...
The telling of personal histories and the sharing of anecdotes offer glimpses into the ways of knowing that guide inquiry, analysis, and reflection. Ashon Crawley, Mike Young, and Vanessa Andreotti share their personal stories as a way to access others’...