[roundtable_menu] [contributor]Arquitectura Expandida[excerpt]Ideally, we seek a collective relationship between institution, artist, and community, with the relationship understood as the confirmation of a provisional organizational structure based on dialogue and a
[roundtable_menu][contributor]Kira Simon-Kennedy[excerpt]Independent art spaces and cafes that wouldn’t be out of place in Copenhagen or Tokyo popped up in Beijing’s dusty gray hutong alleyways.[/excerpt][/contributor] [contributor]Azu Nwagbogu[excerpt]Africa has been historically expropriated;
[roundtable_menu] [contributor]Shuyin Wu [excerpt]As a result, every year 90 thousand natural villages disappear, including yao-dong villages.[/excerpt] [/contributor] [contributor]Lucie Kroening & Victor Seguela, Paris [excerpt]The contradiction embodied in the word banga
What can a process grounded in art-making and aesthetic priorities accomplish that community organizing cannot?
[roundtable_menu] [contributor]Jamel Ayala, New York City [excerpt]We can’t disrupt a multi billion-dollar plan, but we can speak to our community and let them know what’s going on under their nose.
How does the line that defines an area have the power to create and an equally great capacity to divide and destroy?
[roundtable_menu] [contributor]James Bridle, Athens [excerpt]Seamless Transitions is a story of borders that are mute and invisible. They are not supposed to be seen or heard.[/excerpt] [/contributor] [contributor]draftworks* architects, Nicosia &
[roundtable_menu] [contributor]Juan Carlos Arroyo, Bogotá [excerpt]What survives in the act of resistance to a hospital closure is an ideal of human care, a concept of health and selfless humanitarianism that
[roundtable_menu] [contributor]Ella Boureau, New York City [excerpt]I am mourning a second self, a sibling with ancestral knowledge whose presence I can only verify through absence. [/excerpt] [/contributor] [contributor]Thiago Carrapatoso, São