Search Arts Everywhere

Search Website
Search by Author
Search by Tag
Search by Category

Between Paper and Concrete

Taha Muharuma, Toronto, Canada 
Gilad Cohen, Toronto, Canada 

Between Paper and Concrete: a visual inquiry into the history of housing policy in Toronto. How do the legacies of past housing policies shape the lives of Torontonians today? What...

Meaning or movement?
Objects or rhythm?

Vanessa de Oliveira Andreotti, Vancouver, Canada 
Ashon Crawley, Charlottesville, United States 
Zab Maboungou, Montréal, Canada 
Maikoiyo Alley-Barnes, Seattle, USA 

What ways of being become viable when art is able to interrupt our satisfaction with the intellectual, affective, relational and performative economies we are invested in? What are the conditions...

The Cost of Progress

Shawn Van Sluys, Guelph, Canada 

The destruction by fire of the National Museum in Brazil this week is a blow to the world’s cultural history. Buried near the end of a number of mainstream media...

Safeguarding the Daring Voice

Sidd Joag, New York City, United States 

In this time of blurred lines, several organisations around the world do wonderful work to combat censorship, enhance artistic freedom, and support artists in danger. Discover some of the extraordinary...

To Walk Amidst Collapse

Cíntia Guedes, Rio de Janeiro, Brazil 

Clique aqui para texto em português. Photo credit: Camila de Sousa We were surprised by the storm that arrived at dawn, as not even at the peak of summer had it...

Reflections from Primary Colours / Couleurs primaires

Primary Colours / Couleurs primaires, Canada 

Feeling the Vibration of the Periphery: A Conversation

Alyssa Alpine, New York City, United States 
Maria Bauman, New York City, United States 
Cláudio Bueno, São Paulo, Brazil 
Jaime Shearn Coan, New York City, United States 
Patrick "Pato" Hebert, New York City & Los Angeles, United States 
João Simões, São Paulo, Brazil 
Kendra Sullivan, New York City, United States 

September 8, 2017, New York City Editor’s Note: This conversation was sparked by Cláudio and João’s visit to New York in the late summer of 2017, which Kendra was alerted...

Land Art as a Platform for Interaction

Una Rebić, Rijeka, Croatia 
Metod Blejec, Ljubljana, Slovenia 
Natali Bosić, Rijeka, Croatia 
Ivana Golob, Rijeka, Croatia 

Land Art as a Platform for Interaction By Una Rebić and Metod Blejec Look, I’m not gonna tell you what I’m up to, but I’ll say this, what I’m interested...

Uno specchio per cinque (A mirror for five)

Lu Cafausu, San Cesario di Lecce, Italy 

Beyond the Spectacle: Contradiction, Uncertainty, and Imagination

Sidd Joag, New York City, United States 

(Banner image: Chto Delat, Monument to the Century of Revolutions, 2017, installation at Toronto’s Nuit Blanche. Photo credit: Dmitry Vilensky.) Over the past couple weeks (months… years…) I have found it...

She-Wolf at the Border

Niki Singleton, New York City, United States 

This alien migrant at the border satirizes the United States’ position in relation to immigrants in the country today. It depicts the emotional rebellion of a large population of Americans...

Amizade como ativismo / Friendship as Activism

Ajamu, London, United Kingdom 
Cláudio Bueno, São Paulo, Brazil 
Félix Pimenta, São Paulo, Brazil 
Flip Couto, São Paulo, Brazil 
João Simões, São Paulo, Brazil 

This piece opens with excerpts from Ajamu’s journal, talking about his process as an ArtsEverywhere artist in residence working with Black queer communities in New York, São Paulo and Toronto....