ArtsEverywhere features over 150 contributors from around the world, all passionate about the transformative power of the arts. They include artists, policy makers, ecologists, mathematicians, philosophers, children, city builders, social justice leaders, farmers, educators, activists, and many others.
Ultra-red are a sound-based art and political collective founded in 1994 by two AIDS activists. Originally based in Los Angeles, the collective has expanded over the years with members across North America and Europe. Members in Ultra-red range from artists, researchers, and organizers from different social movements including the struggles of migration, anti-racism, participatory community development, and the politics of HIV/AIDS. In 2008 they began working explicitly with practices of popular education, setting up learning experiments for students, artists, and community organisers under the name the School of Echoes. www.ultra-red.org
documenta 14 artistic director & team
Ganzeer is the pseudonym of an Egyptian artist who has been operating mainly between graphic design and contemporary art since 2007. Art in America Magazine has referred to Ganzeer’s work as
“New Realism,” and the Huffington Post ranked him among “25 Street Artists from Around the World who are Shaking Up Public Art,” but Ganzeer rejects both labels and regards Bidoun Magazine‘s description of him as a “contingency artist” as probably the most accurate, but The New York Times’ description—“chameleon”—also works. Ganzeer refers to his own practice, however, as Concept Pop. He has recently shifted gears to work on a major sci-fi graphic novel. More info: ganzeer.com.
Ajamu is a fine art photographic artist and archive-curator whose work has been consistently shown in galleries, museums and alternative spaces throughout the United Kingdom and internationally. He is predominately known for black male portraits, self-portraits and studio-based constructed imagery. His work has been published in a wide variety of publications, critical art journals, and campaign materials and resides in many private and public collections worldwide. Through experimentation and risk taking, his practice challenges staid notions of identity politics, recognition and representation. This approach, combined with the unquestionable beauty and the intensity of his ‘playful yet serious’ imagery, produces some of the most moving and insightful images/collaborations on both black and queer lived experiences in contemporary Britain.
This is a placeholder user used when an author wishes to remain anonymous.
We all know that our choices today affect the tomorrow in which we will live, however we too often forget that how we imagine tomorrow affects our choices today. That is why at Pantopicon we do what we do—enable others to explore and envision imminent futures, to inspire them, and help them to anticipate in order to be more successful.
We are a strategic foresight and design studio. Through speculative and analytical means we craft tools and processes, stories and strategies, products and services to stimulate debate and translate its outcomes into actionable content.
We work with—rather than just for—our clients, in both the public and the private realm, enabling them to see, design for, and act upon the challenges which tomorrow might bring.
More information available at pantopicon.be and upon request.
Radical Education Forum
The Radical Education Forum is a group of people working in a wide range of educational settings in the UK. We meet monthly to discuss radical pedagogical theories and techniques, and contemporary issues of interest to those involved or interested in education. We explore and enact how these theories and questions can inform our practice. The Forum supports social justice in education, linking practitioners within mainstream educational institutions, community education initiatives, social movements, arts organisations, and self-organised groups. radicaleducationforum.tumblr.com
What, How & for Whom
What, How & for Whom (WHW) is a curatorial collective formed in 1999. WHW organizes a range of production, exhibition, and publishing projects, and since 2003, they have been directing city-owned Gallery Nova in Zagreb. What? How? and For Whom? are the three basic questions of every economic organization, and are fundamental to the planning, conception, and realization of exhibitions, and the production and distribution of artworks, and the artist’s position in the labor market. These questions formed the title of WHW’s first project, in 2000 in Zagreb, dedicated to the 152nd anniversary of the Communist Manifesto, and became the motto of WHW’s work and the name of their collective.
Ibrahim is an architect that graduated from the American University in Cairo & UMASS, Amherst. He founded an upcycling design studio called “Mobikya” that innovates solutions for solid waste and transfers it to functional furniture. His enthusiasm about upcycling was born in “boulevard,” the cultural space he founded with minimal resources at his hometown.
Cleo Abramian is an editorial assistant at World Policy Journal.
Another Africa as in its namesake, proclaims that another dimension to Africa exists . . . http://www.anotherafrica.net
National Coalition Against Censorship
NCAC’s mission is to promote freedom of thought, inquiry and expression and oppose censorship in all its forms.
Livia Alexander is a curator, writer, and Chair of the Department of Art and Design at Montclair
State University. Her work is focused on examining the relationship between art infrastructure
and artistic production, urbanity, cultural politics of food and art, and contemporary art from
the Middle East and Southeast Asia. She has curated and produced numerous art and film
programs, exhibitions and events, showcased at the MoMA New York, Tate Modern, Sharjah
Art Foundation, Queens Museum, The Film Society of Lincoln Center, Cinematheque Tangier,
and many more. Alexander is co-producer of the research-based interactive documentary,
Jerusalem, We Are Here (Canada/Palestine/Israel, 2016), directed by Dorit Naaman. Her award-
winning scholarly writing has appeared in the Journal of Visual Anthropology, Framework,
MERIP, and as book chapters and catalog essays. She regularly contributes to Hyeprallergic and
Harpers Bazaar Art Arabia and founded the online publication ArteEast Quarterly. She is the
editor of a year-long series commissioned by the online platform www.ArtsEverywhere.com
with Residency Unlimited, centered on artist residencies at the nexus of urban placemaking and
N.O. aka Aliosha Pantalone
The one and only, magical magnificent Aliosha Pantalone, founder of the legendary Lame Rhyme Sound System.
Harutyun Alpetyan is an art curator and engineering consultant based in Armenia. He is the co-founder of AJZ artist-run-space and Nest artist-in-residence program, run as part of the ICA Yerevan. His work ranges from environmental research to contemporary choreography and often involves a conceptual symbiosis of arts and engineering. Harutyun has been engaged with writing and translation, curation and production of shows, festivals, seminars, and other cultural content. His activities at Contemporary Choreography Lab focus on facilitating efficient artistic production via research, training, and international exchange.
Honey Al Sayed
Honey Al Sayed is a communications and marketing professional and journalist. After the outbreak of the Syrian uprising, she relocated to the United States and co-founded SouriaLi, where she currently works as a producer, host, and media consultant.
Barrak Alzaid is a writer, curator, and artist, and is the artistic director of ArteEast. He is co-editor with Khalid Hadeed of the ArteEast Shahadat Publication For Lives Undone: Gaza Summons its Writers to Speak (Min Hutam al-Hayah: Ghazzah Tastantiq Kuttabaha).
Madhur Anand’s poetry has appeared in literary magazines across North America. She completed her Ph.D. in theoretical ecology at Western University, and is currently University Research Chair in Sustainability Science in the School of Environmental Sciences at the University of Guelph and interim director of the Waterloo Institute for Complexity and Innovation.
Jaroslav Andel is an artist and independent curator who lives in Prague and New York. He served as a consultant to the Council of Europe on its conference and new platform “Smart Creativity, Smart Democracy”.
Department of Environmental and Geographical Science and
The African Centre for Cities
University of Cape Town, South Africa
Pippin Anderson works at the University of Cape Town in South Africa where she is lecturer and director of graduate studies in the Department of Environmental and Geographical Science and urban ecology researcher at the African Centre for Cities. With a Masters degree in Conservation Biology and a PhD in Plant Ecology, Pippin has always had an interest in peopled-landscapes. In the last few years she has turned her interests to urban ecosystems and this informs her current teaching and research. Pippin lives in a dense suburb close to the city centre in Cape Town, yet from her roof (she goes up there for purposes of sanity) she can see Table Mountain National Park. She loves this dichotomy where city and nature must coexist, with their different temporal and spatial scales, and each so variably imagined by the population of the City. She enjoys grappling with the messiness of the ecology of human dominated landscapes.
Rodrigo Andreolli transits through the performing arts, and is especially interested in researching the body as an element for sensitive activation of the visible and invisible layers of the public matter. He acts elaborating production structures in multidisciplinary art projects. Rodrigo is also part of the Capacete Residency in Athens, Greece, which ran concurrent to Documenta 14. https://yo-wasser.hotglue.me/
draftworks*architects was founded in London in 2006 by Christiana Ioannou and Christos Papastergiou and is currently based in Nicosia and Athens. The team crafts, documents and communicates new ideas by text, drawings and model making, while sharing interests between public competitions, private commissions, exhibitions, design research and academic teaching.
Both educator and protector, Jeannette Armstrong is a professor of Indigenous Studies and a Canada Research Chair in Indigenous Philosophy at the University of British Columbia (Okanagan). She is a Spokesperson for indigenous peoples’ rights. The award-winning writer and activist, novelist and poet has always sought to change deeply biased misconceptions related to Aboriginal peoples. Her research into indigenous philosophies and Okanagan Syilx thought and environmental ethics that are coded into Syilx literature has been recognized locally and globally, and she serves as an active member of the Okanagan Nation Alliance and the En’owkin Centre. Known for her literary work, Armstrong has written about creativity, education, ecology and Indigenous rights. Slash, which Armstrong published in 1985, is considered by many as the first novel by a First Nations woman.
Juan Carlos Arroyo
Especialista en Animación y Maestro en Artes Plásticas de la Universidad Nacional de Colombia. Actualmente adelanta el proyecto de investigación en maestría “LOS PROCESOS DE CRISIS Y RESISTENCIA. El contexto histórico con un enfoque desde la imagen y el cuidado humano del Hospital San Juan de Dios Bogotá 2002 – 2014”.
Animation Specialist and Master of Fine Arts of the National University of Colombia. Juan Carlos Arroyo is working on a master research project called “CRISIS PROCESSES AND RESISTANCE: The historical context with a focus on the images and humane care of the Hospital San Juan de Dios Bogotá 2002 – 2014 “.
documenta 14 Artists
Robert Atkins is a UC Berkeley-trained art historian who works at the intersection of art, politics, and queer identities. A former Village Voice columnist, he has written for more than 100 publications and is the author of ArtSpeak: A Guide to Contemporary Ideas, Movements, and Buzzwords, its modern-art prequel ArtSpoke, and Censoring Culture: Contemporary Threats to Free Expression. He has curated exhibitions at venues from Sao Paulo to Tokyo, including “From Media to Metaphor: Art About AIDS,” the first international traveling show of its kind. He also produced the pioneering online resources TalkBack: A Forum for Critical Discourse, Artery: The AIDS-Arts Forum, and ArtSpeak China.org, the first such bilingual wiki. He is a co-founder of Visual AIDS, creators of Day With(out) Art and the Red Ribbon. Atkins now lives in San Francisco where he is at work on his selected writings The Eternal Frame: Sex and Politics in Recent American Art, So You Want to Be An Artist? A Primer for Prospective Picassos and Their Parents, and On Susan Sontag: Media, Morality & Modernity.
Caron Atlas is director of the Arts & Democracy Project, which connects arts and culture, participatory democracy, and social justice. This blog is adapted from her paper, “Creative Engagement and a Moral Economy in Appalachia,” commissioned by the Network of Ensemble Theaters for MicroFest USA in partnership with Animating Democracy, a program of Americans for the Arts. The essay can be found on NET ensembletheaters.net and animatingdemocracy.org websites.
Mikael Awake’s fiction has appeared in The Brooklyn Rail, Witness, Callaloo, McSweeney’s Internet Tendency, and elsewhere. Born in Massachusetts and raised in Georgia, he lives in Brooklyn with his wife.
Jamel Ayala: Young adult with a passion for the arts, and a goal to use art to inflict positive changes in the world.
Jasmine Bager is a contributor to Syria Deeply.
Honor Bailey is an intern at The World Policy Institute.
Drawing on his background in strategic climate communications with Tides Canada and the Green Parties of Canada and Europe, Scott Baker co-founded Adjacent Possibilities with Ross Curtner during a social innovation fellowship at MaRS Discovery District.
Ian Bateson is a freelance journalist based in Ukraine.
Roberto Bedoya is executive director of the Tucson Pima Arts Council.
Lauryn Beer is a writer who specializes in trade and human rights.
Billy-Ray Belcourt is from the Driftpile Cree Nation in northwestern Alberta. He is a 2016 Rhodes Scholar and is reading for an M.St. in Women’s Studies at the University of Oxford. He was named by CBC Books as one of six Indigenous writers to watch, and his poetry has been published in Assaracus: A Journal of Gay Poetry, Red Rising Magazine, SAD Mag, mâmawi-âcimowak, The Yellow Medicine Review, PRISM International, and The Malahat Review.
Nicolle Bennett is an administrator, educator, and artist with over 10 years of experience building capacity with arts, health, and educational organizations and those they serve. She currently lives and works in New York, serving as Program Director for Feel the Music!, a New York City-based organization that connects teaching artists with hospitals, non-profits, and other community-based partners, and consulting with a variety of organizations to build technical and communicative capacity. Contact her at [email protected]
Atul Bhattarai is an editorial assistant at World Policy Journal.
Chantal Bilodeau is a playwright and translator. She also serves as the Artistic Director of the Arctic Cycle and is the founder of the blog, Artists and Climate Change.
Nick Boraine is an actor, writer, director and the Associate Artistic Director of Global Arts Corps. Nick Boraine graduated from the University of the Witwatersrand in Johannesburg in 1994 with an honors degree in drama. Since then he has been involved in countless aspects of performing, writing and directing for stage, television, as well as film.
Ella Boureau is an NYC-based writer, editor, events curator, and is currently the Awards Coordinator for the Lambda Literary Foundation. A graduate of The New School and a 2013 Queer / Art / Mentorship alum, Ella has long been active at the intersection of art and social justice. She founded and ran the online magazine and reading series In the Flesh, an exploration of queerness as a desire for knowledge wedded to the erotic, for several years. Her writing has been featured in Guernica, Tin House, Slice Magazine, The Rumpus, Full Stop, Pretty Queer, and Huffington Post. Her first play, Helps to Hate You a Little: A Lovestory, debuted at Dixon Place in Fall 2015. She is currently at work on a second play and will be co-curating a new reading series.
Heather Braiden is an Assistant Professor in Landscape Architecture at Dalhousie University and a PhD candidate at the McGill School of Architecture. Over the last decade, Heather’s research has evolved to include the cultural perceptions and social identity in post-mining landscapes. Her findings have been presented at several international conferences and in other academic settings.
James Bridle is a British artist and writer based in Athens, Greece. His artworks have been commissioned by galleries and institutions and exhibited worldwide and on the internet. His writing on literature, culture and networks has appeared in magazines and newspapers including Wired, Domus, Cabinet, the Atlantic, the New Statesman, the Guardian, the Observer and many others. He lectures regularly at conferences, universities, and other events. His formulation of the New Aesthetic research project has spurred debate and creative work across multiple disciplines. His work can be found at http://booktwo.org.
David Brooks lives and works in Brooklyn, New York. He attended the Städelschule, Staatliche Hochschule für Bildende Künste, Frankfurt am Main, Germany (1998), and earned a BFA from The Cooper Union (2000) and an MFA from Columbia University (2009). His projects and exhibitions include Pond House Pond, Mildred’s Lane Historical Society, Beach Lake, Pennsylvania (2012); Galerie fur Landschaftskunst, Hamburg (2012); Notes on Structure, American Contemporary, New York (2012); Desert Rooftops, Art Production Fund, New York (2011); Bold Tendencies 5, International Sculpture Show in Peckham Car Park, London (2011); The Wilderness, Miami Art Museum (2011); Terra Firma, Centro Medico Santagostino, Milan (2010); Greater New York, MoMA PS1 (2010); Knight’s Move, Sculpture Center, Long Island City (2010); Seedlings, The Dallas Contemporary (2010); Impermanent Collections, Art In General (2009); and Naturae Vulgaris, Museum 52 (2009).
Jonathan Brooks Platt
Jonathan Brooks Platt is Assistant Professor of Slavic Languages and Literature at the University of Pittsburgh. He specializes in Russian and Soviet literature, art, and culture. His monograph, Greetings, Pushkin!: Stalinist Cultural Politics and the Russian National Bard (forthcoming through University of Pittsburgh Press and, in Russian translation, through EUSPb Press) examines the idiosyncratic temporality of Soviet discourses of modernity and aesthetics in the Stalin era. Other publications include “Snow White and the Enchanted Palace: A Reading of Lenin’s Architectural Cult” (Representations, 2015), “Zoya Kosmodemianskaya between Sacrifice and Extermination” (Novoe literaturnoe obozrenie, 2013), “Platonov, Incommensurability, and the 1937 Pushkin Jubilee” (Ulbandus, 2012), and “The Poetics of Dry Transgression in Pushkin’s Necroerotic Verse” (Taboo Pushkin, ed. Alyssa Gillespie, 2012). He is currently working on two new projects, Zoya: The Last Soviet Militant, and Strange Familiarity: Affective Strategies in Soviet and Post-Soviet Art.
Ilya Budraitskis is a historian, activist and curator based in Moscow, Russia. He is on the editorial boards of several print and online publications, including Moscow Art Magazine, Openleft and LeftEast. With Ekaterina Degot and Marta Dziewanska, Budraitskis co-edited and authored the book Post-Post-Soviet?: Art, Politics and Society in Russia at the Turn of the Decade (University of Chicago Press, 2013). He is also the co-editor and author (with Arseniy Zhilyaev) of the book Pedagogical Poem (Marsilio, 2014).
Pauline E. Bullen, PhD, currently teaches in the Sociology and Women and Gender Development Studies Department at the Women’s University in Africa, Harare, Zimbabwe. She is a scholar and activist who began publishing her writings in community newspapers in Toronto, Canada, in an effort to bring public attention to racism in the schools and its effects on Black students, female and male. A lover of literature and Art, Pauline finds ways to incorporate these into even those writings deemed to be “academic”. Her most recent work is aimed at increasing awareness of the need to address violence against girls and women in meaningful and permanent ways. Hip hop and graffiti are aspects of youth culture that Pauline finds expressive.
Regie Cabico is a spoken word pioneer, having won The Nuyorican Poets Cafe Grand Slam and later taking top prizes in three National Poetry Slams. Television credits include 2 seasons of HBO’s Def Poetry Jam, NPR’s Snap Judgement & MTV’s Free Your Mind. His work appears in over 30 anthologies including Aloud: Voices from the Nuyorican Poets Café, Spoken Word Revolution, and The Outlaw Bible of American Poetry. Mr. Cabico received the 2006 Writers for Writers Award from Poets & Writers for his work teaching at-risk youth at Bellevue Hospital. As a theater artist he received three New York Innovative Theater Award Nominations for his work in Too Much Light Makes The Baby Go Blind with a win for Best Performance Art Production. The Kenyon Review recently named Regie Cabico the “Lady Gaga of Poetry” and he has been listed in BUST magazine’s 100 Men We Love. He has shared the stage with Patti Smith, Allen Ginsberg and through Howard Zinn’s Portraits Project at NYU, has performed with Stanley Tucci, Jesse Eisenberg, and Lupe Fiasco.
Lu Cafausu is a collaborative art project initiated by Emilio Fantin, Luigi Negro, Giancarlo Norese, and Cesare Pietroiusti in 2006, then joined by Luigi Presicce in 2010. Lu Cafausu, an old coffeehouse located in a small town in the south of Italy, has become the inspiration for stories, performances and actions in different European and American cities.
Edgar Calel Apen was born in Chi Xot, Comalapa, an Indigenous community called Maya Kaqchikel, Guatemala. In 2016, he was an artist-in-residence with Lanchonete.org and Lastro in São Paulo. He dedicates his work in the visual arts to his community perspectives that allow him to hear, write, see, and live this ancestral culture of which, throughout his work and life, he spreads its rituals and roots through paintings, videos, installations, performances, talks and his presence in different countries of Latin America.
Manuel Callahan’s work explores three interwoven areas: the US/Mexico border and borderlands historically and in the present; Indigenous struggles across the Americas including Zapatista struggles located in Chiapas; and convivial research, a community based research methodology that draws on engaged scholarship emerging from the Global South. His dissertation, “Mexican Border Troubles,” is a historical ethnography charting the social antagonisms that create the border and borderlands as a contested space. Elaborating on the border as a dispositif emerging through settler-colonialism and into the present, his study examines the production of subjectivities in relation to the border over a series of five conjunctures. Reading the violence and criminalization targeting ethnic Mexican and other Brown communities, Callahan’s work relies on W.E.B. DuBois’ concept of “democratic despotism” to demonstrate that borders are essential to the domestication of war and the production of racial subjects in service of capital. His engagement with Zapatista struggles places learning and research at the center of a “Zapatista civic pedagogy” carving a new space of political engagement and offering new ways to imagine and participate in the regeneration of community. Through a convivial research approach, Callahan draws together participatory approaches and militant research praxis to situate the community and its own regeneration at the center of investigations, where the questions emerging from community struggles hold within them the possibilities for “reweaving the social fabric” across landscapes fractured by militarization, racial violence, and forms of capital. He is a researcher with the Center for Convivial Research and Autonomy (CCRA) in San Jose and an insurgent learner with the Universidad de la Tierra Califas, an autonomous learning space connected to campuses in Oaxaca and Chiapas. He currently teaches in the Mexican American Studies Department at San Jose State University in San Jose, California.
Edwin Cameron is current judge on the Constitutional Court of South Africa.
Luis Camnitzer is a Uruguayan artist and educator based in New York and Professor Emeritus of the State University of New York, College at Old Westbury. He graduated in sculpture from the Universidad de la República in Uruguay, represented Uruguay in the 1988 Venice Biennial, and, among many other exhibitions, participated in Documenta XI and the 2000 Whitney Biennial. His work is in the collection of more than forty international museums, and he is represented by Alexander Gray Associates (New York) and Galería Parra y Romero (Madrid). He is author of several books, including New Art of Cuba, Conceptualism in Latin America: Didactics of Liberation and On Art, Artists, Latin America and Other Utopias, all by University of Texas Press.
Thiago Carrapatoso is a journalist and specialist in communication, arts, and technology. He holds an MA from the Center for Curatorial Studies at Bard College (NY), and is a collaborator of the BaixoCentro Movement in São Paulo and the REPEP group, helping create a methodology for using heritage education against gentrification.
Nayari Castillo is a Molecular Biologist and Artist (MFA Public Art and New Artistic Strategies, Bauhaus-Universität, Weimar, DE) living in Graz. Using video, text, objects, and photography as tools of communication, her installation work relies on specific constructs of travel, and her interventions engage with history, time and space. Nayari has participated in numerous group and solo exhibits in cities such as Berlin, Brussels, Mexico City, New York, Sarajevo, Seoul, and Vienna among others. She has won multiple prizes and bursaries including the Bursary for the Arts of the city of Graz (AT) and the 2014 CIFO prize, Miami (USA). She has been mentioned in publications including Suazo, F. “Panoramic of Emergent Art in Venezuela 2010-2012” | Boulton, M.T. ”21 Venezuelan Women Photographers” | Palenzuela, J.C. “Art in Venezuela. 1980-2005” | Castellote, A. “Open Maps: Latinamerican Photography 1991-2002”. She has attended various residencies worldwide including Skowhegan (2009, USA). Since 2013, Nayari has been an active member of the Daily Rhythms Collective, an artist association working on inclusion and sensible cartographic methods through a highly collaborative practice.
Jarri Castro occasionally writes about cis-performativity and queer subcultures. He was selected for the Capacete art-residency in Athens, where he is currently trying to become an artist.
Tings Chak is an architecturally trained artist and migrant justice organizer whose work draws inspiration from anti-colonial, anti-capitalist, and spatial justice struggles. She is the author and illustrator of Undocumented: The Architecture of Migrant Detention (The Architecture Observer, 2014), which explores the politics of architectural design and representation in mass incarceration.
Deland Chan teaches in the Program on Urban Studies at Stanford University and is a co-founder of the Stanford Human Cities Initiative. She comes from an urban planning and design background with project expertise in urban sustainability, transportation, and public space design. At Stanford, Deland teaches two project-based studios,Sustainable Cities and International Urbanization, where students collaborate with NGOs and government agencies on sustainability projects. She co-teaches the Defining Smart Cities seminar with the Department of Civil and Environmental Engineering and also teaches design thinking and participatory design at the Stanford Institute of Design (d.school). Most recently, she curated the Just Placemaking speaker series with the Stanford Creative Cities Working Group, a partnership between Stanford Arts and the Program on Urban Studies. Deland completed her undergraduate studies in Urban Studies and Sociology from Stanford University and graduate studies in City and Regional Planning from the University of California at Berkeley.
Melody Chan is a former editorial assistant at World Policy Journal and a student at New York University specializing in journalism and politics.
Rebecca Chesney is a visual artist whose work is concerned with the relationship between humans and nature and how we perceive, romanticize, and translate the landscape. Her projects take the form of installations, interventions, drawings, maps, and walks. She has been commissioned by Yorkshire Sculpture Park, the Bronte Parsonage Museum in North Yorkshire, Grizedale Arts in Cumbria, and Landlife in Liverpool and was awarded a Gasworks International Fellowship in 2013. She has attended residencies at the Nirox Foundation in South Africa, at Lancaster Institute for Contemporary Arts and the Wordsworth Trust in the Lake District National Park. Her work has been widely exhibited in the U.K. as well as in Japan, Germany, India, Spain, Ireland, and Italy. She is based in Preston, U.K.
Eunsun Cho is an editorial assistant at World Policy Journal.
Born and raised in the concrete jungle where dreams are made, Angela is interested in exploring the intersection of community engagement and art. Having dabbled in various sectors from nonprofits to healthcare, across different continents from Asia to Europe, she continues to try to find her place in this world.
Virginia Cimino is currently the Program Director at the Institut des hautes études en arts plastiques (Iheap). She has worked in art galleries and art foundations across Europe. Her field of expertise is the intersection of management with art and culture.
Paolo Cirio’s artworks investigate fields affected by communication networks such as privacy, copyright, finance, and law. He shows his conceptual works through prints, installations, videos, online performances, and interventions in public spaces. His controversial artworks have unsettled institutions such as Facebook, Amazon, Google, VISA, Pearson, Cayman Islands, and NATO, among others.
Cirio’s artworks are often active agents; they elicit reactions from the subjects of the works and direct participation from the audiences. The interactions and processes from his interventions into the social dynamics of information systems generate art performances within these mediated environments. He has won a number of awards, including Golden Nica at Ars Electronica, Transmediale Prize, and the Eyebeam fellowship. Cirio was born in Turin, Italy, in 1979 and currently lives in New York.
Katrine Brink Claassens was born in South Africa in 1985. She studied Visual Arts at Stellenbosch University in South Africa and after graduating lived between Quebec and France developing her artistic practice before moving back to South Africa in 2012. In 2015 she completed her Masters degree in Climate Change and Sustainable Development at UCT in 2015, where she engaged with subjects that inform the environmental concerns in her art. She works in the mediums of oil painting, video, poetry, and drawing, bearing witness to the unprecedented environmental changes of the Anthropocene. The main themes of her work grapple with climate change, urban ecology (particularly that of suburbs), solastalgia, edge species, and crass internet memes.
Jordan Clifford is an editorial assistant at World Policy Journal.
Jacob Cohen is a Brooklyn-based experimental cellist, visual artist, and educator. Since 2014, he has been working with the adolescents and young adults incarcerated on Rikers Island.
Ashon Crawley is an Assistant Professor of Religious Studies and African American and African Studies at the University of Virginia. His research and teaching experiences are in the areas of Black Studies, Performance Theory and Sound Studies, Philosophy and Theology, Black Feminist, and Queer theories. His first book, Blackpentecostal Breath: The Aesthetics of Possibility (Fordham University Press), is an investigation of aesthetics and performance as modes of collective, social imaginings otherwise.
Ross Curtner is a co-founder and co-director of Adjacent Possibilities
Raphael Daibert is a researcher, cultural producer and activist based in São Paulo, Brazil. He is a founding member of Lanchonete.org and also part of the pedagogical and artistic experiment Free Home University, in Lecce, Italy.
Jennifer L. Davis practices architecture, art, and independent curating in Toronto, Canada. She holds a Master of Architecture (2011) from the University of Toronto and is co-curator of Rear View (Projects). She has received numerous awards and grants from institutions such as the Canada Council for the Arts, the Canadian Centre for Architecture, and the Graham Foundation for Advanced Studies in the Fine Arts.
Kristian Davis Bailey
Kristian Davis Bailey is a Detroit-based freelance writer and organizer. He is a member of Black Youth Project 100 (BYP100) in Detroit and of Black4Palestine.
Kristin Deasy is an international reporter based in Berlin. She has written for publications in the United States, Europe, and the Middle East, and writes a blog for World Affairs Journal.
Chto Delat is a renowned Russian collective of artists, philosophers, scholars, poets and activists that has existed since 2003. Their interest is the entanglement of art, political thought, and pedagogies. In 2013 Ch-D established a School of Engaged Art in St. Petersburg.
Vanessa de Oliveira Andreotti
Vanessa de Oliveira Andreotti holds a Canada Research Chair in Race, Inequalities and Global Change at the Department of Educational Studies, University of British Columbia. Her teaching and research focus on analyses of historical and systemic patterns of reproduction of knowledge and inequalities and how these limit or enable possibilities for collective existence. Vanessa works with different communities in creative, collaborative inquiries and cartographies related to ideals of globalism and global change through intellectual, embodied, aesthetic and dissociative practices.
Mary Ann DeVlieg
Mary Ann DeVlieg is the director for strategic development at freeDimensional.
Aïcha Diallo is joint Program Director of the art education program KontextSchule, affiliated with the UdK/University of the Arts, Berlin, and is Associate Editor of Contemporary And (C&).
Jude Dibia is the author of Walking with Shadows, Unbridled and Blackbird. His writings explore the realities of gay Africans living in the continent and the challenges and abuse they face daily. Dibia writes from Sweden, where he lives and works as the current guest writer in Malmö City of Refuge.
Zvonimir Dobrovic is the founder and artistic director of Domino, the biggest independent art NGO in Croatia. In that capacity, he is responsible for programming several festivals in Croatia and internationally—most notably Perforations—a week of live art, Queer Zagreb and Queer New York international art festivals. Through different platforms, he curates over 100 performances annually staged all over the world, many of them commissions and produced specifically for these and other festivals. He has served on numerous panels and boards, juries, and committees in the field of performing arts and film. Zvonimir has also edited books, magazines, and written articles on performance. He regularly holds lectures and workshops on curating and art management.
Nikos Doulos is an Amsterdam based artist, born and raised in Athens (GR). His interest lies in inclusive modes of knowledge production achieved through discursive practices and temporal interventions. In his work he creates malleable situations/conditions as participatory infrastructures and ‘soft’ knowledge generators. Walking holds a predominant part in his practice. His is the founder of NIGHTWALKERS – a collectively practiced nocturnal walking project investigating the contemporary identity of the flanêur.
Doulos predominately engages on research trajectories under the umbrella of Expodium – an urban do tank investigating the role of the arts in urban transition areas. He teaches periodically at Kuvataideakatemia in Helsinki and he is the coordindator of Roaming Assembly – DAI Roaming Academy’s public program.
Doulos’s participation at Capacete-Athens is generously supported by Mondriaan Fund.
Architect, Writer, Urban Evolutionary
Prize-winning architect, writer, international speaker, green building and ecocity pioneer and early advocate for action on climate change. Paul Downton is DeTao Master of Ecological Urban Design with the DeTao Masters Academy in Shanghai and Chief Consultant with Green World Solutions (Beijing) Ltd. His projects include keynote green buildings for Adelaide Zoo and the ANU and the internationally awarded Christie Walk development. Founder of Urban Ecology Australia (in 1991), his vision of ecological cities is supported by years of working with communities. In 1989 Paul founded Australia’s first community organisation focused on climate change and was 2008 South Australian finalist for Australian of the Year. With a doctorate in environmental studies and 30 years teaching architecture, Paul is acknowledged as a world leader in sustainable city making and theory and has been called an Australian icon of sustainable development and a ‘neighbourhood pioneer’. His book ‘Ecopolis: Architecture and Cities for a Changing Climate’ was published in 2009. He is currently working on a series of books about ecocities.
Sabrina Duran is a journalist who is dedicated to writing profiles of anonymous people and covering areas of Human Rights and Urbanism. She is the author of the book “Mulheres Centrais” and the blog “EUA Votam,” for the Opera Mundi website. She has presented special reports in Bolivia, Colombia, Argentina, England, France, the United States, and more than 60 Brazilian cities. In 2013 she created the journalistic project “Arquitetura da Gentrificação,” which maps the process of social hygiene in the city center of São Paulo. Photo by Laura Sobenes.
Marta Echaves is an independent researcher and curator based in Madrid. She studied philosophy and took part in the Independent Studies Program, directed by Paul B. Preciado. As a member of the research group Somateca (Museo Reina Sofia), she studies the technologies of gender production. She participated in artistic and curatorial projects within institutions like MACBA, La Casa Encendida or the Centro de Arte Conde Duque. Necropolitics and bioresistance in postdictatorial contexts (with a special focus on Spain) are central in her current work.
Adam Echelman is an editorial assistant at World Policy Journal.
The Site Magazine Editorial Team
Daniel is an artist living in Brasil. He has collaborated with 596 Acres on several projects that have included telling the stories of places. These have been a few murals and the books I’M SO LUCKY YOU FOUND ME and Gracias Por Guiarme, both available for purchase here. His other work can be found at vimeo.com/122059179
helloeverything is an international design studio founded in 2013 by Austin Smith, Julian Ocampo, and Sixto Cordero. Their work emerges from the opportunities of the standard to proliferate the spatial agency of the people, objects, and relations which constitute contemporary life. Through design they expand and challenge the functions of the everyday, innovating through convention to achieve a nonstandard operative praxis.
Fabiana Faleiros is a poet, performer and researcher. She is Lady Incentivo and doctored in Art and Contemporary Culture at UERJ, Rio de Janeiro, Brasil. Currently she is participating in the Capacete residency in Athens.
Emilio Fantin is an artist working on dematerialization of art as his individual research and on the concept of organism in collective experiences. His work is mainly based on studying the problems of behaviour and philosophy. He has been carrying on research about the structure of sharing art practices for many years. At present, he is working on multidisciplinary research which studies the relationship between art and agriculture, art and mathematical logic, art and dreams, and art and architecture. He has participated in important contemporary art events (the Venice Biennale, I; Performa07, NY, USA; Le Magasin, Grenoble, F; Neue Galerie, Graz, A; Documenta XIII, Kassell, D). Since 2005, he has taught at the Politecnico, School of Architecture and Society, University of Milano and is also one of the coordinators of the “Osservatorio Public Art”, a research laboratory which promotes projects and ideas about art in public spaces.
ARAHMAIANI is one of the leading figures in the contemporary art scene in Indonesia, working in performance, painting, drawing, installation, video, poetry, dance and music. She was one of the artists featured in the Indonesia National Pavilion at the 50th Venice Biennale. Her work has grappled with contemporary politics, violence, critique of capital, the female body and in recent years, her own identity, which although Muslim, still mediates between Islamic, Hindu, Buddhist, and animist beliefs. She often uses her public presence in order to attract attention to violence against women in general and to female discrimination in Indonesia’s Islamic society, in particular. Since September 11th, she has combined her critical attitude toward Islam with a fight against its general stigmatization. Her interests also extend to environmental issues, which has led her to work with monks on the Tibetan Plateau in recent years.
Francesca Fiore is an artistpoet from Pennsylvania and co-founder of SOIL SERIES: A Social Drawing, a socially engaged project that seeks to re-establish networks of nourishment in the rural community of Bethel, Ohio. Her process-based and deeply investigative work uses research, performance, video, installation, and text to explore histories, intimacies, and representations of memory. She holds a Master of Fine Arts from Parsons School of Design and received her Bachelor of Fine Arts from Rutgers University’s Mason Gross School of the Arts. She presented at Residency Unlimited’s symposium Embedded, Embedding: Artist
Residencies, Urban Placemaking and Social Practice in January.
Vilém Flusser (May 12, 1920 – November 27, 1991) was a Czech-born philosopher, writer and journalist. His large body of written work includes many books and essays, which appeared in numerous American and European journals. Phenomenology would play a major role in the transition to the later phase of his work, in which he turned his attention to the philosophy of communication and of artistic production.
David T. Fortin
Yaffa Fredrick is managing editor of World Policy Journal
Steve Frost is Executive Director of the Tasai Foundation, an artist collective based in Vancouver, Canada
Jeni Fulton is a writer and editor based in Berlin. She is the Art/Commissioning editor for Sleek Magazine.
Vibha Galhotra is a recipient of the prestigious Rockefeller Grant at their Bellagio Center, 2016. At present, she is an Asian Cultural Council fellow in the US, pursuing continual research on belief and reality to intervene on the subject of the Anthropocene. Galhotra’s practice ranges across photography, film, video, found objects, performative objects, sculpture, installation, text, sound, drawing, and public interventions. Vibha shares that her art practice crosses the dimensions of art, ecology, economy, science, spirituality, and activism, with the aim of constantly trying to create a parallel between belief and reality, absence and presence, construction or [De]construction within the social, political and economic domain of our constructed structures. The constant negotiation of human with ecosystem and with the mystery within that ecosystem motivate her to continue her practice based on research and intuitive imagination to understand and question the alienation of the human in the atmosphere or the atmosphere in the human-dominated world. Through her massive but aesthetic work (both philosophically and structurally) she tries to redefine her own existence and ownership in this commerce-driven world.
Omar is a Canadian architect born in Toronto, raised in Brampton, and currently practicing and residing in both Halifax and Toronto.
After studying in the Regional Arts program at Mayfield Secondary School (Caledon) and then the inaugural Architectural Studies Program at the University of Toronto, he moved to Halifax, Nova Scotia where he received his Master’s degree in 2005 from Dalhousie University. After graduation Omar worked on several key projects including Manitoba Hydro, Two Hulls, the John Molson School of Business at Concordia University and the Mike and Ophelia Lazaridis Quantum-Nano Centre at the University of Waterloo. Omar is currently also a sessional instructor at the School of Architecture and Planning at Dalhousie University.
Omar is the recipient of the 2014 Canada Council for the Arts Professional Prix de Rome and was listed in Wallpaper* magazine’s 2014 Architects Directory—their list of the top 20 Young Architects in the World. Most recently, Omar was named one of the Architectural League of New York’s “Emerging Voices” of 2016 and one of Monocle Magazine’s 20 most influential Canadians.
Gris García is a mexican artist and an independent curator. Her work is centered around contemporary practices and hybrid productions which emerge from dialogue and correspondence with others. She holds an MA in Artistic Research and Production and has also been part of MACBA’s PEI (Independent Study Program), a Master’s program in Museistic studies and critical theory directed by Paul B. Preciado. http://grisgarcia.net/
Edgardo Leonel García is a young Zapotec, sociologist, and peasant apprentice from Southern Mexico. He is a founder and member of the Autonomous Cooperative of Sharing and Learning of Oaxaca (CACAO), which aids in the struggle for food sovereignty. His knowledge about life comes mainly from the wisdom of his indigenous community. He has participated in initiatives to re-weave the social fabric of communities affected by poverty and violence in the Central Valleys of Oaxaca, México, through community workshops that construct solutions for planting vegetables, handling garbage, and collective water management. Currently he is engaged in autonomous learning, self-management for life (autogestión), regeneration of the social fabric, and autonomy of the native peoples.
Fernando García-Dory’s (b. 1978) work engages specifically with the relationship between culture and nature now, as manifested in multiple contexts, from landscape and the rural, to desires and expectations concerned with identity, through to (global) crisis, utopia and the potential for social change. He studied Fine Arts and Rural Sociology, and now is now preparing for his PhD in Agroecology. Interested in the harmonic complexity of biological forms and processes, his work addresses connections from microorganisms to social systems, and from traditional art languages such as drawing to collaborative agroecological projects, actions, and cooperatives. He also addresses these interests through work with institutions such as Casco Office for Art, Architecture and Design, Tensta Konsthalle, Gwangju Biennale, Istanbul Biennale and dOCUMENTA (13).
Theaster Gates was born in 1973 in Chicago, where he lives and works. He exhibits widely, including group shows such as the Whitney Biennial, New York; dOCUMENTA (13), Kassel; ’The Spirit of Utopia’ at Whitechapel, London; and Studio Museum’s ‘When Stars Collide’ in New York. Solo exhibitions include ‘To Speculate Darkly: Theaster Gates and Dave, the Slave Potter’ at Milwaukee Art Museum; Seattle Art Museum; MCA Chicago; and ‘The Black Monastic’ residency at Museu Serralves, Porto. Gates was awarded the inaugural Vera List Center Prize for Art and Politics, and the Artes Mundi 6 prize. Gates is founder of the nonprofit Rebuild Foundation and Professor in the Department of Visual Arts, University of Chicago.
Henry A. Giroux currently holds the McMaster University Chair for Scholarship in the Public Interest in the English and Cultural Studies Department and the Paulo Freire Distinguished Scholar Professorship in Critical Pedagogy. He also holds a Distinguished Visiting Professorship at Ryerson University. In 2007, he was named by the Toronto Star as one of the “12 Canadians Changing the Way We Think.” He is a frequent contributor to Truthout, CounterPunch, Truthdig, and other online journals. He has published over 400 scholarly articles. His most recent books include: Youth in Revolt: Reclaiming a Democratic Future (Paradigm 2013), America’s Educational Deficit and the War on Youth (Monthly Review Press, 2013), Neoliberalism’s War on Higher Education (Haymarket 2014), The Violence of Organized Forgetting (City Lights 2014) and Dangerous Thinking in the Age of the New Authoritarianism (Routledge 2015). Giroux is also a member of Truthout’s Board of Directors.
Eric Gitari is a lawyer with Nairobi-based National Gay and Lesbian Human Rights Commission (NGLHRC) Kenya.
Damien Glez, a regular contributor to World Policy Journal, is a cartoonist based in Ouagadougou, Burkina Faso, and a collaborator, through Cartooning for Peace,with cartoonists who’ve drawn for Charlie Hebdo and who died in this week’s massacre.
Lloyd Godman is one of a new breed of environmental artists whose work is directly influencing ’green’ building design……”Godman’s installations are the result of a unique blend of botanical science, environmental awareness and artistic expression. All three elements are intrinsic to the practical realisation of his polymathic vision .. as physical objects, Godman’s artworks are purifiers of the air as well as the soul, suppliers of colour as well as calmness, and filters of water as well as the human spirit”. John Power – Editor of Facility Management Magazine
Arlene Goldbard is a writer, speaker, activist, and consultant based in California. She is the author of two new books, The Culture of Possibility: Art, Artists & The Future and The Wave. You can read other work of hers at arlenegoldbard.com.
Aliza Goldberg is an editorial assistant at World Policy Journal and a graduate student at Columbia University’s School of International and Public Affairs.
Thiago Gonçalves is an artist based in São Paulo. An installation by Thiago Gonçalves and Alejandra Bruschi entitled “Hydrotropismo” is on view at Kunsthalle São Paulo for the month of April.
Julie Goodness is a PhD candidate at the Stockholm Resilience Centre, Stockholm, Sweden. Her research is in urban social-ecological systems, functional traits and ecosystem services, environmental education, design-thinking and design-based learning, social action and community development. Locations: Stockholm, Sweden; Cape Town, South Africa. Sge was a lead editor on the Cities and Biodiversity Outlook (CBO) Project: www.cbobook.org; and created the World Design Capital Cape Town 2014 Project -Youth Design Studio #WDC641: http://imagine-more.org/southafrica.html
Evan Gottesman is an editorial assistant for World Policy Journal.
Fernanda Grigolin (Curitiba, 1980) É artista visual, editora, pesquisadora doutoranda em Artes Visuais na Unicamp. Por dez anos foi ativista de movimentos sociais no Brasil e na América Latina. Possui especialização em Direitos Humanos (USP) e é mestra em artes visuais na UNICAMP. Vive e trabalha entre Campinas e São Paulo. Fernanda Grigolin (Curitiba, 1980) is a visual artist, editor, researcher, and PhD student in Visual Arts at Unicamp. For ten years, she was an activist in social movements in Brazil and Latin America, specializing in Human Rights (USP). She lives and works between Campinas and São Paulo.
Ndeye Rokhaya Gueye is a visual arts teacher. She completed her studies at the National School of Art in Senegal in 2001 and has since participated, lead, and collaborated on multiple art projects. She is also a member of the Art Critique Association in Senegal. Muu-So is her first children’s book.
Germán Gómez Eslava
Germán Eliecer Gomez is a sociologist with expertise in communication and expert on issues related to urban cultural practices, especially young people, in expressions such as graffiti, football bars. He has advised the Mayor of Bogotá Cultural Transformations issues and cultural and social policies. He currently serves as a public servant of the Ministry of Culture of Bogotá.
Sociólogo con maestría en Comunicación. Expertos en temas relacionados con practicas culturales urbanas, principalmente de jovenes, en expresiones tales como el grafiti, las barras de fútbol. Ha asesorado a la Alcaldía de Bogotá en temas relacionados con Transformaciones Culturales y politicas culturales y sociales. Actualmente se desempeña como Servidor publico de la Secretaría de Cultura de Bogotá.
Hans Haacke, born in Cologne, Germany (1936), has lived in New York since the early 1960s. He taught at Cooper Union (New York) from 1967 – 2002. Solo exhibitions include: Tate Gallery (London) 1984; New Museum of Contemporary Art (New York) 1986; Centre Georges Pompidou (Paris) 1989; Deichtorhallen (Hamburg) and Akademie der Künste (Berlin) 2006; Museo Nacional Centro de Arte Reina Sofía (Madrid) 2012. His work has been included in four Documentas and the Biennials of Tokyo, Sydney, São Paulo, Venice, Johannesburg, Gwangju, the Whitney (New York), and Sharjah. In 1993, he shared the Golden Lion award with Nam June Paik for best pavilion of 1993 Venice Biennial. “Free Exchange,” a conversation with Pierre Bourdieu, was published by Stanford University Press (1995), and in 2000 he created “DER BEVÖLKERUNG” (To the Population), a permanent installation inside Reichstag (German Parliament building). Other prominent works include “Denkzeichen Rosa Luxemburg,” a permanent installation in a public square (Berlin, 2005), and the temporary installation of “Gift Horse,” commissioned by London Mayoralty for 4th Plinth (Trafalgar Square, 2015).
Gloria Hage is the Executive Director of Robin Becker Dance.
Sandi Halimuddin is an editorial assistant at the World Policy Journal.
Abazar A. Bagi Hamid grew up in the cultural belt between Sudan and the Gulf, and his music is both rooted in traditional Sudanese and African music characteristic of the Gulf area, and heavily inspired by reggae and Afro-Latin music. Abazar Hamid’s songs dare subjects ranging from peace, friendship and unity to genocide, the loss of loved ones and songs of lament over entire towns wrecked by the Sudanese government.
Michael Hardt is the chair of the Literature Program at Duke. He is co-author with Antonio Negri of Declaration as well as the Empire trilogy (Empire, Multitude, and Commonwealth). He currently serves as editor of The South Atlantic Quarterly.
Patrick "Pato" Hebert
Pato Hebert is an artist, educator and cultural worker based in New York and Los Angeles. His work explores the aesthetics, ethics and poetics of interconnectedness. He is particularly interested in space, spirituality, pedagogy and progressive praxis. Recent projects have been presented at Beton7 in Athens, the Museum of Contemporary Art in Zagreb, the Kunsthal Charlottenborg in Copenhagen, and The Glass Studio at The Chrysler Museum in Norfolk. In 2015 he was an artist-in-residence with the Neighborhood Time Exchange project in West Philadelphia. In August he will be a BAU Institute/Camargo Foundation Residency Fellow in Cassis, France. Hebert’s work has been supported by grants from the Rockefeller Foundation, the Creative Work Fund, the National Education Association and a Mid-Career Fellowship for Visual Artists from the California Community Foundation. In 2008 he received the Excellence in Photographic Teaching Award from Center in Santa Fe. He teaches as an Associate Arts Professor in the Department of Art & Public Policy at Tisch School of the Arts, New York University. He has also worked in community-based HIV prevention initiatives with queer communities of color since 1994. He continues this grassroots work through his current projects with the Global Forum on MSM & HIV (MSMGF), where he helps to develop innovative international approaches to community mobilization, programs and advocacy. (Photo by Ken Merfeld)
Ajay Heble is the founding Director of the International Institute for Critical Studies in Improvisation (IICSI), and Professor of English in the School of English and Theatre Studies at the University of Guelph. He is the author or editor of several books, and the founding Artistic Director of the award-winning Guelph Jazz Festival and Colloquium (www.guelphjazzfestival.com). In his teaching, Heble has sought to develop pedagogical strategies that foster connections between what students learn or do at university and how they come to understand themselves as socially responsible citizens. The final “assignment” in his courses often takes the form of a “pro-active, community-facing intervention” which challenges students to move beyond the walls of the classroom in an effort to make collective interventions in the broader community. The excerpt reprinted here is from a book-length collaboration with some of his current and former students, focusing on human rights and community-based learning.
Jessica Hein works within a drawing-based practice that is informed by experiential, interdisciplinary, and process based methods. Her work explores the mediated experience of our environment—through memory, the body, technology, time, or distance. Whether she is working with a laser cutter, digital mapping software, or the choreography of her own body movements, the translation of an idea, memory, or experience is central to her work. Jessica studied visual art at NSCAD University and received her Master of Visual Studies (Studio) at the University of Toronto in 2013. She lives in Toronto.
Jeannette Hicks is a PhD candidate in Philosophy at the University of Guelph and a visual artist. Her current philosophical research investigates history, power, and resistance in Michel Foucault’s projected archaeology of the visual arts. As a Research Assistant for the International Institute for Critical Studies in Improvisation (IICSI), she facilitates arts-based community making through improvisational arts projects, and contributes to ongoing research on how art can cultivate and strengthen community. As a member of the installation art collective Tongue & Groove, she has collaborated on playful participatory installations that invite critical reflection on lived space for Nuit Blanche Toronto, Land/slide: Possible Futures, Whippersnapper Gallery, and the AGO’s Toronto Now series. She is currently exploring graphic notation as inter-arts improvisation through a series of improvisational ink drawings made in collaboration with clarinettist François Houle.
Tomson Highway was born in a snow bank on the Manitoba/Nunavut border to a family of nomadic caribou hunters. He had the great privilege of growing up in two languages, neither of which was French or English; they were Cree, his mother tongue, and Dene, the language of the neighbouring “nation,” a people with whom they roamed and hunted.
Today, he enjoys an international career as playwright, novelist, and pianist/songwriter. His best known works are the plays, “THE REZ SISTERS,” “DRY LIPS OUGHTA MOVE TO KAPUSKASING,” “ROSE,” “ERNESTINE SHUSWAP GETS HER TROUT,” and the best-selling novel, “KISS OF THE FUR QUEEN.” For many years, he ran Canada’s premiere Native theatre company, Native Earth Performing Arts (based in Toronto), out of which has emerged an entire generation of professional Native playwrights, actors and, more indirectly, the many other Native theatre companies that now dot the country.
Miriam Ho is a writer, editor, installation artist, and architectural designer based in Toronto. She also writes fiction and narrative essays. She previously worked for internationally renowned architects Philip Beesley and Shigeru Ban.
Miriam Ho is a writer, editor, installation artist and architectural designer based in Toronto. She also writes fiction and narrative essays. She previously worked for internationally renowned architects Philip Beesley and Shigeru Ban.
Alexander Hobbs is an editorial assistant at World Policy Journal.
Ashley Holden is a 20-year-old business student at LaGuardia Community College, and is going toward obtaining her Associates and then Bachelors degrees. She also participates in political conversations online and in groups on topics such as gentrification, race, women’s rights, and more.
Jonathan Hollander has been a Fulbright Senior Scholar in India, a Fulbright Specialist in Malaysia, a U.S. Department of State Cultural Envoy in Portugal, and is the Founder and Artistic Director of Battery Dance Company
Mike Houck, Director of the Urban Greenspaces Institute (http://www.urbangreenspaces.org), has worked on local, regional, and national urban park and greenspace issues since 1980 when he founded the Urban Naturalist Program at the Audubon Society of Portland (http://www.audubonportland.org). He is co-founder of The Intertwine Alliance (http://www.theintertwine.org), which is dedicated to creating a world-class park, trail, and natural area system for the Portland-Vancouver metropolitan region. The Alliance is also a member of the national Metropolitan Greenspaces Alliance whose members represent Chicago, Los Angeles, Houston, Cleveland, Milwaukee, San Francisco Bay Area, and Portland metropolitan greenspace initiatives.
Karen Houle hails from Northern Ontario but calls Guelph home. Her twin girls, Kuusta Laird Barry and Cézanne Houle, are a quarter century old and live in Guelph too, with their kids. Houle’s undergraduate degree is in Biology and Chemistry. She is now a Professor of Philosophy at the University of Guelph, and adjunct graduate faculty in the Schools of Fine Art and Music & the Guelph-Humber School of Creative Writing. Her areas of specialization are political theory, ethics, environmental philosophy, philosophy and literature, and feminist thought. She co-edited (with Jim Vernon) Hegel and Deleuze: Together Again for the First Time (Northwestern, 2013). Her monograph, Responsibility, Complexity and Abortion: Toward a New Image of Ethical Thought (Lexington Books) came out at the end of 2013. She has published numerous academic and non-academic articles on topics ranging from plant communication to Emmanuel Levinas, animal tracking to Michel Foucault, from watershed ecology to Jacques Derrida, from canoe flotillas on the Tobique River to Luce Irigaray, from rape to Steve Reich. She is also the author of two books of poetry: Ballast (House of Anansi, 2001) and During (Gaspereau Press, 2008). Ballast was nominated by the Canadian League of Poets for the Lampert Prize (best first book of poetry by a Canadian writer). In 2014, she was the inaugural Eastern Comma Writer-in-Residence at North House, on the rare Charitable Research Reserve in Blair, Ontario, where she wrote a collection of poetry soon to be published.
Hilary Hung is an emerging artist exploring philosophical and psychological conditions through materiality. Her projects often start with a fascination for materiality and continue as experiments on revealing the life and meaning of a material. She works on a large scale in sculpture and installation because the perception and navigation of space is an important consideration in the experience of her work. Hilary’s process is rhizomatic in nature and she draws from different disciplines, cultures and industries to discover new ways of seeing and thinking.
Mathieu Hélie is a software developer on weekdays and a complexity scientist and urbanist on weekends. He publishes the blog EmergentUrbanism.com
Fran Ilich is a media artist and writer. He is the author of the novels Metro-pop, Tekno Guerrilla, Circa 94 and the book-length essay “Otra Narrativa es Posible”. He has participated in Berlinale Talent Campus, Transmediale, ARCO, Documenta 12 and 13, and has shown at the Walker Art Center, Creative Time exhibition, Antídoto and the EZLN’s Festival Mundial de la Digna Rabia. He was a fellow at Eyebeam and A Blade of Grass. He studied the M.A. in Media Art Histories at Donau-Universität Krems and was Visiting Lecturer of the Literature Department of the University of California San Diego. He was Editor-at-Large for Sputnik Cultura Digital magazine in Mexico City, where he also worked as a researcher at Centro Multimedia of the National Center of the Arts; he directed seminars on narrative media for the Universidad Internacional de Andalucía in Sevilla. He lives and works in New York City.
Co-founder and director of Solobeta, where we design learning programs on the Digital Economy. Here I mainly research new movements and trends, while advising and giving talks on specific related themes. I come from a background combining economics and philosophy in order to understand the role of businesses in relation to the society that surrounds them. Over the past years this has lead to exploring the potentials of internet-based technologies and how they impact social behavior and ultimately how we create value. Currently my work is focused on projects concerning the so-called Platform Economy and The Future of Work and how these broader currents will impact our businesses and institutions. And ultimately our lives.
Laurel Jarombek is an editorial assistant at World Policy Journal.
M. Neelika Jayawardane
M. Neelika Jayawardane is Associate Professor of English at the State University of New York–Oswego and arts contributor to Al Jazeera English.
Pierre Michel Jean is a photojournalist based in Port-au-Prince. He was invited by Lanchonete.org and FOKAL to complete a three-month residency in São Paulo. Pierre Michel Jean’s entire body of research on Haitians in Sao Paulo can be seen here.
Vladan Jeremić and Rena Rädle are artists whose artistic practice comprises drawing, text, photography,installation, and video. Since 2002 they have been developing a joint artistic practice that explores the overlapping space between art and activism. In their artistic work they focus on the contradictions that exist in society today and research, with artistic means, emancipatory potentials. Their recent exhibitions have included shows in New York, Mexico City, and across Europe.
Sidd Joag is a NYC based visual artist, journalist, and community organizer who has worked in the arts and culture, social justice and human rights for fifteen years. He is presently a commissioning editor and producer at ArtsEverywhere.ca and a coordinator of ArtistSafety.net.
Ruth Jones is currently based in Toronto and LA, where she is part-time faculty in the Humanities and Sciences department at Art Center College of Design.
Kristine Jordan is a former Editorial Assistant at the World Policy Journal.
Birgitta Jónsdóttir is a Poetician for the Pirate Party in the Icelandic Parliament and chairman for the International Modern Media Institute, or IMMI. Birgitta has helped create two political movements since 2009: the Civic Movement and the Pirate Party, both of which have successfully entered the Icelandic Parliament. The Pirate Party has been scoring in the polls as the most popular party in Iceland in 2015.
She specializes is 21st century lawmaking with focus on direct democracy, freedom of expression, information and digital privacy. She is a hacker in parliament. Birgitta is also a long-time activist and was a WikiLeaks volunteer when the largest leak in human history was dropped into the digital DropBox of the organization by the courageous whistleblower, Chelsea Manning. She played a crucial role in WikiLeak’s release of Collateral Murder. In early 2010, Birgitta put forward the IMMI parliamentary resolution tasking the Icelandic governments to write the 10 laws described in the resolution. The aim of resolution is to make Iceland a Save Haven for freedom of expression, information and digital privacy. It was unanimously adopted. The creation of the IMMI laws is ongoing.
Birgitta is a regular contributor to The Guardian newspaper and had the honor to guest edit the January edition 2015 of the New Internationalist, titled “Democracy in the Digital Era.” Birgitta is, however, a poet first and last. She is among the pioneers in using the Internet as her global publishing venue; she has published her work online since 1995 and it can be found at http://this.is/birgitta and her digital and handmade book-publishing venue, Beyond Borders, can be found at http://this.is/poems. In the aftermath of 9/11 she published and edited two global anthologies titled The Book of Hope and The World Healing Book.
She believes individuals can and should change the world.
Nikita Kadan was born 1982 in Kyiv, Ukraine, where he lives and works today. He is a visual artist who often works in interdisciplinary collaboration with architects, sociologists and writers. His practice involves a critical investigation into the experience of present-day Ukrainians and their relationship to the Soviet past. He is a member of the artist group REP (Revolutionary Experimental Space), a founding member of the curatorial and activist collective Hudrada (Artistic Committee), and a member of the editorial collective of prostory.net.ua, an online publishing site on culture and politics. Kadan’s work has been exhibited internationally, with exhibitions at CCA Ujazdowski Castle Warsaw, M HKA Antwerp, Pinakothek der Moderne Munich, Castello di Rivoli Turin, DAAD Galerie Berlin, ‘The Shool of Kyiv’ biennale, 55 and 56 Biennale di Venezia, and the 14th Istanbul Biennial among others.
Rajkamal Kahlon is an artist who focuses on painting and drawing. She has served as the Artist-in-Residence for the American Civil Liberties Union’s National Security Project. In 2016 Kahlon will be the Mellon Visiting Artist at the Newhouse Center at Wellesley College working on the project BLOWBACK: From Colonial Archives to Terrorist Bodies.
Shalini Kantayya is a Brooklyn-based filmmaker, educator, and eco-activist. She is the Creative Director of 7th Empire Media, a production company that uses artistic expression and mass media to promote sustainability and human rights. Kantayya’s film A Drop of Life was honored with a Best Short award at Palm Beach International & a Crystal Dior Nomination at Tokyo Short Shorts. She tweets at @shalinikantayya.
Canadian born Theodore (ted) Kerr is a Brooklyn-based writer and organizer whose work focuses on HIV/AIDS and community. Before receiving his MA from Union Theological Seminary where he researched Christian Ethics and HIV, he was the programs manager at Visual AIDS. He is a founding member of the What Would An HIV Doula Do? collective, and his writing has appeared in POZ, The Advocate, WSQ, Lambda Literary, Drain, IndieWire, and Cineaste.
Mahmoud Khaled (b. 1982) studied fine art at Alexandria University in Egypt and Trondheim University in Norway. His work, spanning video, photography, sculpture, installation, sound and text, explores what is real and what is hidden, disguised or staged. He has exhibited his work in Manifesta 8 (Murcia), Salzburger Kunstverein (Salzburg), Stedelijk Museum Bureau Amsterdam, Bonner Kunstverein (Bonn), UKS (Oslo), BALTIC Centre for Contemporary Art, (Gateshead), Townhouse (Cairo), Sultan Gallery (Kuwait), and Whitechapel Gallery (London). In 2012 Khaled was awarded the Videobrasil In Context prize and he is shortlisted for the 2016 Abraaj Art Prize.
Farisa Khalid is a World Policy Journal Editorial Assistant Emeritus.
Dongsei Kim is a principal at axu studio. He has taught at Columbia, Carleton, RMIT, and Korea Universities. His work was invited to the Korean Pavilion at the 14th Venice Architecture Biennale. He holds master degrees from Harvard and Columbia Universities, and is completing his PhD at the University of Melbourne.
Linda Kinstler is the Editor of the Bowdoin Orient and wrote for the Fall 2012 Democracy issue of World Policy Journal.
Jay Koo is a native son of the Lower East Side. Just like you, he takes up space. He is convinced that what makes the Lower East Side remarkable is not the brunches or the lavish parties , It is the people. Jay works as a Resource Developer, helping people connect to jobs, supportive services, and other resources through Henry Street Settlement, one of the oldest nonprofit organization in the Lower East Side. Jay is also a member of the Perfect City project, which is exploring the impacts of gentrification and neighborhood changes in the Lower East Side. For more information, contact Jay Koo at [email protected]
Elijah Kuan Wong
Elijah Kuan Wong is a Baiyue Asatruar performance artist and singer from Queens, NY and Rikers Island. Obsessive attention is on Paleo, and the pact Grief (Death-Longing) made with Insistence (Bio-Remediation) in traumatized neighborhoods, relationships; our hurried pleas with a potentially amoral, or strikingly impersonal, universe. Even still, he often prays – and walks, waits, hunts and stalks, eats and hungers.
Suzanne Lacy is chair of the Graduate Public Practice Program at Otis College of Art and Design in Los Angeles. Her installations, video, and performance focus on social themes. A recent project in Quito, Ecuador de tu Puña y Letra, on the subject of male violence, was held in a bull-fight arena; and Between the Door and the Street took over a Brooklyn street and was sponsored by Creative Time. Recent projects include Cleaning Conditions: An Homage to Allan Kaprow for the Manchester Art Gallery; and The Tattooed Skeleton, at the Museo Nacional Centro Reina Sofia. Also known for her writing, Lacy edited Mapping the Terrain: New Genre Public Art, and authored Leaving Art: Writings on Performance, Politics, and Publics, 1974-2007, essays published by Duke University Press. Lacy has exhibited at the Tate Modern; Museum of Contemporary Art in Los Angeles; and Museo Pecci in Milano, Italy. Her PhD is from Robert Gordon University in 2013.
Suzy Lake began her art practice in 1968. Following the social and political unrest of the 1960’s she emigrated from Detroit to Montreal (1968), and then to Toronto in 1978. Active to the needs of her communities, she was a co-founder of Vehicule Art Inc. (Montreal, 1972) and the Toronto Photographers Workshop (Toronto, 1978). Concurrent to her practice, Lake taught for 40 years in Montreal, Toronto, and received Professor Emerita status from the University of Guelph in 2008.
Lake was among the first female artists in Canada to adopt performance, video, and photography to explore the politics of gender, the body, and identity. In 1993, she was the subject of a major mid-career retrospective, Point of Reference, organized by the Canadian Museum of Contemporary Photography in 1993.
Suzy continues to address the relationship of the individual to societal forces in order to reveal constructions and restraints that have been built into our culture. In 2013, Suzy was awarded the Dazibao artist book prize and launched Suzy Lake: Performing an Archive in 2015. In 2014 the Art Gallery of Ontario presented a full-career retrospective with a substantial book titled Introducing Suzy Lake. Both books are available through Amazon. Suzy currently lives and makes work in Toronto.
Aaron Landsman is a New York City theater artist. He is Playwright in Residence at Abrons Arts Center and a Visiting Associate Professor and Humanities Fellow at Princeton.
Jaron Lanier is a computer scientist, composer, artist and author who writes on numerous topics, including high-technology business, the impact of technology, the philosophy of consciousness and information, internet politics and the future of humanism. Lanier’s most recent book is Who Owns the Future? A pioneer in virtual reality, Lanier founded VPL Research and led teams creating VR applications for medicine, design and numerous other fields. Lanier is also a musician and artist.
Frida Larios [b. San José, Costa Rica, 1974 (of Salvadoran parents)] received a M.A. in Communication Design from Central Saint Martins College of Art & Design, University of the Arts London. She has been leading learning since 2000, following her higher purpose of facilitating interpretative visual narrative applied to authored books, artworks, garments, workshops, and dialogues with children, youth, and designers, bridging the stories from Indigenous peoples and lands to contemporary reflection and appreciation, through her award-winning New Maya (Visual) Language coding methodology. Larios has been commissioned landmark ancestral innovation public projects: in 2015, she was commissioned to design the El Salvador Olympic Team uniforms for the Toronto Panamerican Games. In 2014 she was commissioned to create murals on the Joya de Cerén Archaeological Park museum wall surfaces. Larios collaborates/consults with these cultural institutions in Washington, DC: Indigenous Design Collective, National Museum of the American Indian, Smithsonian Latino Center, Embassy of El Salvador, CASA, American University Museum, among others. She serves as Ambassador for the Latin American Design Ambassadors Council and the International Indigenous Design Network.
Graham Lawson writes regularly on arts and culture for The Jerusalem Post and other publications.
Rusland Lichtzier (b. Tomsk, Russia, 1984) is a writer, curator, and educator. Born in Russia and raised in Israel, she received her BFA with honors from Bezalel Academy of Fine Arts and Design (Jerusalem, Israel) and the MA in Visual and Critical Studies from The School of The Art Institute of Chicago (SAIC), where she also teaches. Her background as a migrant is a principal force in creating cultural productions that push toward the radicalization of differences while highlighting ethical stands. Recent productions include “Terrorists in The Library,” a research project in form of a group exhibition at Harold Washington College in (Chicago), and the group exhibition “Dark Cartographies” at Efrain Lopez Gallery (Chicago), where she is currently the head curator.
Tim Lilburn was born in Regina. He has published nine books of poetry, including To the River (1999), Kill-site (2003), Orphic Politics (2008) and Assiniboia (2012). His work has received Canada’s Governor General’s Award (for Kill-site), the Saskatchewan Book of the Year Award and the Canadian Authors Association Award, among other prizes. A selection of his poetry is collected in Desire Never Leaves: The Poetry of Tim Lilburn (Wilfrid Laurier University Press, 2007). Lilburn has produced two books of essays, both concerned with poetics, eros, and politics, especially environmentalism: Living in the World as if It Were Home (1999) and Going Home (2008). His work has been translated into Mandarin, French, Spanish, German, Polish and Serbian. A new poetry collection, The Names, was recently published in 2016, and a book of essays entitled The Larger Conversation: Contemplation and Place will be published by The University of Alberta Press in the fall 2017. Lilburn currently teaches at the University of Victoria.
Sarah Lipkis is an editorial assistant at World Policy Journal.
Anat Litwin is an artist, curator and researcher, founding director of the HomeBase Project (2006-Current, NYC / Berlin / Jerusalem / Saitama). Anat graduated from the Bezalel Art Academy of Fine Art and Design, in the department of Fine Arts (2001) and holds an M.F.A from Hunter College, NYC, in the department of Fine Arts (2005). She is the recipient of the 2013 Andy Warhol Fellowship for Curatorial Research, with an International study titled “Roundtable Residency Research,” focusing on the topic of Future Urban Residency Models which function as a catalyst for social and urban change.
Her artwork in the medium of paper cut outs and installation has been exhibited in galleries and alternative spaces in New York, Berlin, Tokyo, and Italy, while her social-based artistic hosting initiatives centered around the HomeBase Project have been featured in cultural platforms such as Volta art fair (Basel 2011/NY 2011), Res Artis (Tokyo, 2012), Microresidency Forum (2012/2014/2015) and recently at the Um El Fahem Museum conference on Art Residencies as a Catalyst for Social Change. HomeBase Project has received recognition in the New York Times, Metropolis, ArtForum, and NY Mag among other publications.
Anat is currently a PhD candidate in the department of Urban and Regional Planning at the Technion Institute, where she aims to research the role of Artistic Hosting in appropriating the meaning of “urban.” www.homebaseproject.org
Zoraida Lopez is best known for her images concerning race, immigration, juvenile justice, and gender relations. Her work has been exhibited at galleries including Rush Arts and Whitewall in New York City. Zoraida is currently teaching photography to youth residing in detention centers in Connecticut and to girls in the South Bronx, New York. She is the chair of the National Black Female Photographers Group-New York City chapter.
Emani Love is a Detroit activist. She is active in youth organizing in Detroit and does national coalition building work. From 2012-2016, Emani worked at Ruth Ellis Center as an outreach worker, as well as organizer and facilitator of Trans-specific programming. She does outreach work with Detroit’s LGBTQ+ community and is a founding mother for Trans Sisters of Color project in Detroit.
Patrick is Founder and Director of SocieCity.org, a socially-engaged network of artists, writers, and sustainability practitioners, inspiring empathic relationships between people, nature, and the places we live.
Through SocieCity, as well as his own community-engaged environmental arts practice, Patrick works internationally to direct and curate projects which use the arts as a tool to re-connect people with each other and with nature.
He holds an MFA in Art, Space & Nature from the University of Edinburgh, School of Architecture and Landscape Architecture (Scotland), a BA in Design Studies from San Jose State University (USA), and was a visiting postgraduate student at the Isao Suizu Project Lab at Aichi University of the Arts (Japan). He also enjoys learning from trees, soil, wind, the sea, as well as kids and elders.
Emma Xin Ma
Emma Xin Ma holds an M. Arch from the University of Waterloo, where she completed a graduate thesis on Shenzhen’s social and urban morphology as results of the Second Line. She is currently practicing as an Intern Architect in Toronto.
Berette Macaulay is an award-winning artist born in Sierra Leone of West African/French-Dominican/German-Czech descent. She was raised in Jamaica and the U.K., and is now based in the U.S.
The Site Magazine Editorial Team
Lee Maracle is the author of a number of critically acclaimed literary works including Sojourner’s and Sundogs [collected work of novel and short stories]; Celia’s Song [her latest novel]; Ravensong [novel], Bobbi Lee [autobiographical novel]; Daughters Are Forever, [novel]; Will’s Garden [young adult novel]; Bent Box [poetry]; and I Am Woman [creative non-fiction]. Maracle is the co-editor of a number of anthologies including the award winning publication, My Home As I Remember. She is also co-editor and contributor of Telling It: Women and Language across Culture [conference proceedings]. Maracle is published in anthologies and scholarly journals worldwide.
Maracle was born in North Vancouver and is a member of the Sto: Loh nation. The mother of four and grandmother of seven. Maracle is currently an instructor at the University of Toronto. She is also the Traditional Teacher for First Nations House and instructor with the Centre for Indigenous Theatre and the S.A.G.E. [Support for Aboriginal Graduate Education] as well as the Banff Centre for the Arts as a writing instructor. In 2009, Maracle received an Honorary Doctor of Letters from St. Thomas University. Maracle recently received the Queen’s Diamond Jubilee Medal for her work promoting writing among Aboriginal Youth. Maracle received the 2014 Ontario Premier’s Award for Excellence in the Arts.Maracle has served as Distinguished Visiting Scholar at the University of Toronto, University of Waterloo, and the University of Western Washington. A new collection of her work will be released in late-2015, titled Memory Serves and other Words [creative non-fiction].
Gabriella Marrero: 17-year-old native Lower East Sider. Aspiring actress and writer.
Nichole Martini is an ELNYA fellow. Fundraising and philanthropy professional with expertise in social justice philanthropy and arts and culture.
Sixten Kai Nielsen Martin Rosengaard
Wooloo is a Danish artist group founded in 2002 by Sixten Kai Nielsen and Martin Rosengaard. The group has developed a working method based on engaging diverse participants — residents, visitors, other artists and activist groups — in simultaneously re-examining established modes of interacting and questioning their underlying power structures. One example is Wooloo’s free housing of three thousand activists with private families during the UN climate change summit in Copenhagen (2009). Another is their 2002 launch of the online community wooloo.org long before such social networks were commonplace. Today, wooloo.org connects the resources of more than 35,000 cultural producers from 180+ countries. Wooloo’s Human Hotel community continues to open up homes around the world.
Mary Mattingly creates sculptural ecosystems in urban spaces. She is currently working on a floating food forest for New York called “Swale” and recently completed a two-part sculpture, “Pull,” for the International Havana Biennial with the Museo National de Belles Artes de la Habana and the Bronx Museum of the Arts. Mattingly founded the Waterpod Project, a barge-based public space and regenerative habitat with food grown on the barge, rainwater collection, solar energy, and recycling living systems that hosted over 200,000 visitors in 2009. She has been awarded grants and fellowships from A Blade of Grass, Eyebeam Center for Art and Technology, Yale University School of Art, the Jerome Foundation, and the Art Matters Foundation. Her work has been featured in Aperture Magazine, Art in America, Artforum, Sculpture Magazine, The New York Times, Financial Times, Le Monde, New Yorker, The Wall Street Journal, and on BBC News, MSNBC, Fox News, NPR, and on Art21.
Ricardo Mbarkho is a Lebanese visual artist and founder of the Lebanese National Tabbouleh Day.
E. J. McAdams
E.J. McAdams is a poet and artist who lives with his wife and three children in Harlem, Ward’s Island Sewershed, Manhattan, Lower Hudson Watershed, New York, USA, earth. Last year, he created an installation at The Bronx Museum of the Arts called Trees Are Alphabets. His mail art poem about Martha the last passenger pigeon was on display at the Phoenix Art Museum in Focus Latin America: Art Is Our Last Hope. His latest chapbook is TRANSECTs from Sona Books, and he was interviewed about the book by poet Phil Metres for The Conversant. He is a collaborator and has worked with architects and dancers to create unique walks in New York City and establish innovative institutions like the interdisciplinary Laboratory of Art Nature and Dance (iLAND). He is a naturalist and has worked as an urban park ranger in New York City and as the executive director of NYC Audubon, where he partnered with the real estate sector to have skyscrapers turn off their lights during the fall and spring bird migrations.
Louisa McCall is the co-director of Artists in Context.
Lawrence E. McCullough
Lawrence E. McCullough has been an active organizer of arts and non-profit community ventures since 1973. McCullough is a musician/composer and author of fiction, non-fiction, poetry, plays, and film scripts. He is married to the actress Lisa Bansavage, with whom he operates an educational film and theatre organization, Pages of History, Inc. (pagesofhistory.org).
Paula Meijerink is an Associate Professor in Landscape Architecture at the Knowlton School, Ohio State University and cofounder of the firm WANTED Landscape. Paula’s engagement with landscape is from a political perspective, exploring and asserting change through the act of
design. She has lectured and published internationally. Paula has worked with community members in Thetford Mines since 2009 and the two women have been collaborating on projects since 2010. In 2015, they received a grant from the Landscape Architecture Foundation Canada, supporting their research on Theford Mines, and since have presented at three international conferences on the post-industrial landscape both as a sublime creation and as a vernacular construct.
Gili Merin is is an architect, photographer and journalist based in Tel Aviv. She studied architecture in the UdK Berlin, Waseda University in Tokyo and The Bezalel Academy of Arts and Design in Jerusalem, where she teaches today. Gili’s various training include AMO*OMA Rotterdam, COBE Berlin and ArchDaily in Santiago, Chile.
Maya Mikdashi received her PhD from Columbia University’s Department of Anthropology. She is Co-Director of the documentary film About Baghdad. Maya is currently a Mellon Postdoctural Fellow at Rutgers University. She is Co-Founder and Editor of Jadaliyya Ezine.
In addition to growing up heavily influenced by California’s cultural mélange of surf, skate, hotrod and hip-hop cultures, Patrice studied English Education and Creative Writing at California State University, Long Beach, and earned his teaching credential from San Jose State University. Pulling from and integrating these influences into his public school classroom, Patrice found that students from all backgrounds became engaged, educated and empowered to navigate and transform their worlds. Identical outcomes occurred during his time traveling and teaching abroad. Using the Arts as a tool for making personal connections and providing education had similar results no matter the socioeconomic status, country or age group. In his tenure as a public school teacher in San Jose, California, Patrice hosted a range of Arts-based events and provided community funded after-school Arts programs until he decided to create Art is Power, where he focuses his energies full-time on working with and documenting visionary Arts initiatives from around the globe.
Daniel Millette, PhD, MASA, MA, RPA, RPP, MCIP
Daniel Millette has worked on Indigenous land matters for approximately twenty years. He is Director of Strategic Planning and Communications with the First Nation Land Management Resource Centre. He specializes in land use planning, land strategizing, and land use-economic development interfacing, with an aim at empowering individual communities through self-governing over unique sets of lands and resources. As a Registered Professional Planner, he has worked throughout Canada and within a variety of legal land frameworks including Treaty and Framework Agreement on First Nation Lands. Millette enhances his planning outlook through several academic and research initiatives: As a Registered Professional Archaeologist, he maintains a research program on ancient planning techniques and their relevance within contemporary planning models. At the School of Architecture and Landscape Architecture at the University of British Columbia, he taught Theory and Environmental Design History. As Adjunct Professor in the History and Theory of Architecture program at Carleton University, he teaches Indigenous Architecture. Concurrently, he is completing a book on Indigenous communities across Canada, documenting successes in planning and architecture.
Mary Miss has reshaped the boundaries between sculpture, architecture, landscape design, and installation art by articulating a vision of the public sphere where it is possible for an artist to address the issues of our time. She has developed the ”City as Living Lab”, a framework for making issues of sustainability tangible through collaboration and the arts. Trained as a sculptor, her work creates situations emphasizing a site’s history, its ecology, or aspects of the environment that have gone unnoticed. Mary Miss has collaborated closely with architects, planners, engineers, ecologists, and public administrators on projects as diverse as creating a temporary memorial around the perimeter of Ground Zero, marking the predicted flood level of Boulder, Colorado, revealing the history of the Union Square Subway station in New York City or turning a sewage treatment plant into a public space. Recent projects include an installation focused on water resources in China for the Olympic Park in Beijing and a temporary installation at a seventeenth-century park in Delhi, India as part of the exhibition 49°: Public Art and Ecology. A proposal for a permanent project at the North Carolina Museum of Art explores the presence and movement of water through the site by recovering and revitalizing elements of the watershed to reveal the wetland processes in the region. A recipient of multiple awards, Mary Miss has been the subject of exhibitions at the Harvard University Art Museum, Brown University Gallery, The Institute of Contemporary Art in London, the Architectural Association in London, Harvard University’s Graduate School of Design, and the Des Moines Art Center. Among others, her work has been included in the exhibitions: Decoys, Complexes and Triggers at the Sculpture Center in New York, Weather Report: Art and Climate Change curated by Lucy Lippard, co-presented by the Boulder Museum of Contemporary Art and EcoArts Connections, More Than Minimal: Feminism and Abstraction in the 70’s, Brandeis Museum’s Rose Art Museum, and Century City: Art and Culture in the Modern Metropolis at the Tate Modern.
Samer Mohdad studied photography at L’École Supérieure des Arts Saint-Luc Liège, Belgium before lending his talents as a photojournalist to various international publications. An advocate for the support and preservation of Arab photography, Mohdad has spent the past thirty years showing the Arab world from the inside through his photo books and exhibitions.
Ania Molenda is an independent Rotterdam-based researcher and curator. She is a founder and editor-in-chief of Amateur Cities and a member of Rotterdam’s Culture Council 2017-2020. Ania publishes on architecture in various periodicals and academic journals.
Jota Mombaça Is a non-binary bicha, born and raised in the northeast of Brazil, who writes, performs and academically studies on the relations between monstruosity and humanity, kuir studies, de-colonial turns, political intersectionality, anti-colonial justice, redistribution of violence, visionary fictions, the end of the world and tensions among ethics, aesthetics, art and politics in the knowledge productions of the global south-of-the-south. Current works are the collaboration with Oficina de Imaginação Política (São Paulo) and the artistic residency along with Capacete’s 2017 at Documenta (Athens/Kassel).
Eeva Väänänen Moore is a writer, currently working on a literary fiction novel and two TV pilots. She also writes cultural and political essays, drawing on her political career and experience growing up transnational. During her many years in Washington, D.C., she worked on policy reforms in the areas of campaign finance, education, healthcare and judicial independence. She’s what you get when you mix London, Helsinki, Copenhagen, California, DC and Berlin together. You can find her on Twitter @eemoo.
Nelson Mota is Assistant Professor at Delft University of Technology and guest scholar with The Berlage Center for Advanced Studies in Architecture and Urban Design. He holds a PhD from Delft University of Technology and is a founding partner of the architectural office comoco arquitectos. He regularly contributes articles to architecture magazines, essays to academic journals, and papers to conferences. He is production editor and member of the editorial board of the academic journal Footprint.
Nat Muller (Amsterdam) is an independent curator and critic. Her writing has been published in Bidoun, ArtAsiaPacific, Art Papers, MetropolisM, Hyperallergic, Canvas, X-tra, Springerin, Art Margins and Harper’s Bazaar Arabia. She has also written numerous catalogue and monographic essays predominantly on artists from the Middle East. She has taught at universities and academies in the Netherlands and the Middle East, and has curated video and film screenings for projects and festivals internationally, including for Rotterdam’s International Film Festival, Norwegian Short Film Festival, International Short Film Festival Oberhausen, and Video D.U.M.B.O. Recent exhibition projects include Spectral Imprints for the Abraaj Group Art Prize in Dubai (2012), Adel Abidin’s solo exhibition I love to love…, Forum Box in Helsinki (2013); Customs Made: Quotidian Practices & Everyday Rituals, Maraya Art Centre in Sharjah (2014); This is the Time. This is the Record of the Time, Stedelijk Museum Bureau Amsterdam & American University of Beirut Gallery (2014/15). In 2015 she was Associate Curator for the Delfina Foundation’s Politics of Food Program (London) and was appointed guest curator for the A.M.Qattan 2016 Young Artist of the Year Award for Palestinian artists that opened at Qalandiya International in Ramallah, Palestine in 2016 and The Mosaic Rooms in London in 2017. For the past few years Nat has been a nominator for the Prix Pictet Award, the V&A Jameel Art Prize, the Visible Award and the Paul Huf Photography award, amongst other jury and nomination committees. Nat serves on Amsterdam’s municipal advisory committee for artist studios and incubator spaces.
Marita Muukkonen is an internationally active curator based in Helsinki and Berlin, and a co-founding co-director of Perpetuum Mobile. She has been Chairperson and Curator of The Helsinki International Artists-in-Residence Programme; Curator at FRAME – The Finnish Fund for Art Exchange; Editor at FRAMEWORK – The Finnish Art Review (the international art magazine), and held key functions at The Nordic Institute for Contemporary Art over several years.
Marita has curated exhibitions and projects internationally, including the Museum of Modern Art (New York), Moderna Museet (Sweden), Kiasma – Museum of Contemporary Art (Finland), and galleries such as Momentum (Berlin) and Bo Bjerggegaard (Copenhagen). She curates and coordinates exhibitions and events in biennial-contexts, including the Perpetual Pavilion (Venice 2009), The Finnish Pavilion in Venice (2009), The Nordic Pavilion (2009), The Arts Assembly (Manifesta 8, 2011), The Nordic Pavilion in the Dak’art Biennale (2012), and the School of Displaced Persons (Kiev Biennial, 2015) as well as is part of the Athens Biennial (2015-2017).
Ray is the editor and founder of Women Taboos Radio Africa and a news correspondent for Inperspective Media, in addition to being a freelance journalist for a number of international media outlets. He is also the 2016 Winner of the UN Correspondents Association Media Prize awarded by UN Secretary General Ban Ki Moon, and he is the first reporter in the world to win the UN Global Migration Fair Reporting Prize. His media work can be found at www.clippings.me/raymwareya83
Lada lives and works in Kyiv, Ukraine. She is artist, but also curator
(member of curatorial and activist union Hudrada) and educator
(co-founder of the Course of Art – curatorial project investigating
contemporary art education). Since 2005 she has been part of the R.E.P.
Wanda Nanibush is an Anishinaabe-kwe image and word warrior, curator and community organizer living in her territory of Chimnissing. Currently, Nanibush is a guest curator at the Art Gallery of Ontario and is touring her exhibition The Fifth World, which opens January 2016 at the Kitchener-Waterloo Art Gallery. The island life allows her to finish upcoming projects, including a film called A Love Letter to My People, a documentary on Gerald Vizenor, a book called Violence No More (Arp Press), an anthology of Indigenous Curatorial Writing and more.
Lucia Nhamo is a Zimbabwean visual artist currently based in South Africa, who explores counter-narratives and power relations through performance, animation, video, printmaking and sculpture. In her interdisciplinary and conceptual work, Nhamo often uses personal experience as a starting point to talk about themes related to national, ethnic and cultural identities.
Lê Quan Ninh
As a classical trained percussionist, Lê Quan Ninh worked with contemporary music ensembles and was a founder member of Quatuor Hêlios (1986-2012), a percussion quartet that performed and recorded, among others, John Cage’s percussion works. Their last creation was Seul à Seuls by Georges Aperghis premiered in late 2006 at the Musica Festival in Strasbourg (France). As an improviser, he participates in numerous meetings in Europe and in North America and plays regularly in ensembles in forms that mix improvised acoustic and electroacoustic music, ‘performance art’, dance, poetry, experimental cinema, photography and video. With the cellist Martine Altenburger, he founded in 2006 the ensemble]h[iatus, a contemporary music ensemble whose members are interpreters and improvisers. They commissioned pieces by the composers Vinko Globokar, Peter Jakober, Steffen Krebber, Jennifer Walshe and Anthony Pateras. His discography includes approximately 40 CDs on European and North American labels. The last release (Aplomb, 2015) is a duet with his long term colleague Michel Doneda.
Nwagbogu is a Juror for Contemporary African Photography Award CAP (Berlin, Germany), and has served as a juror for the World press Photo, Prisma photography award (2015) and Greenpeace Photo Award (2016) and several other art and photography related prizes. Nwagbogu lives and works in Lagos, Nigeria.Nwagbogu has curated numerous exhibitions internationally, including Dey Your Lane! Lagos Variations at BOZAR Centre for Fine Arts (Brussels, Belgium) in 2016, co-curated with Ruth Simbao Tomorrows/Today at the Cape Town Art Fair (Cape Town, South Africa) in 2016, and Tear My Bra at Rencontres d’Arles (Arles, France), 2016. He is Curator-at- Large for photography at the Zeitz MOCAA Museum in Cape Town.
Nwagbogu has contributed texts to several publications, including the Martin Roemers: Metropolis, Berlin, Germany, Hatje Cantz, 2015, Hääbré, The Last Generation by Joana Choumali and Making Africa: A Continent of Contemporary Design, Vitra Design Museum, Weil am Rhein, Germany, 2015.
Nwagbogu is a Juror for Contemporary African Photography Award CAP (Berlin, Germany), and has served as a juror for the World press Photo, Prisma photography award (2015) and Greenpeace Photo Award (2016) and several other art and photography related prizes. Nwagbogu lives and works in Lagos, Nigeria.
Ugochukwu-Smooth C. Nzewi
Ugochukwu-Smooth C. Nzewi is an artist, art historian, and curator of African art at Dartmouth College’s Hood Museum of Art. His recent curatorial work includes the 11th Dak’Art Biennale (Dakar, Senegal, 2014), Guess Who’s Coming to Dinner, Richard Taittinger Gallery (New York, NY, 2015), and Inventory: New Works and Conversations around African Art, Hood Museum of Art, Dartmouth College (2016). Nzewi’s writing has appeared in important academic journals and art magazines, including African Arts, Nka, Kunstforum, Critical Intervention, Studio, and World Art. He is co-editor of New Spaces for Negotiating Art (and) Histories in Africa, an edited volume that explores the emerging landscape of independent art spaces in Africa (2015).
Georgy Mamedov & Oksana Shatalova
Oksana Shatalova (1972) and Georgy Mamedov (1984) are curators, researchers, authors and participants in many artistic projects. They are authors of the book Queer-communism as Ethics (Free Marxist Press, 2016). They have worked together since 2007. In 2011 they entered the curatorial group of the Pavilion of Central Asia at the 54th Venice Biennale; in 2012 (together with Аsel Akmatova) they opened the STAB (School of Theory and Activism) in Bishkek. The sphere of their research interests include the history and theory of culture, contemporary philosophy, cultural politics, gender theory, and queer theory.
STAB (School of Theory and Activism, Bishkek) is a Central Asian artistic and research initiative whose members see art as an instrument of social criticism, a territory of solidarity, and a practice of radical imagination. STAB works on a seasonal basis: with a public programme in spring and an educational programme in autumn. Each Spring from March through June there takes place a Spring Creative Report—a large thematic public programme whose theme in 2017 is that of Queer Futurology. In Autumn, STAB’s Evening School runs from September through to December, combining a theoretical reflection with artistic imagination. The 2017 evening school, “When the Subaltern Speak,” will be dedicated to the 100th anniversary of the October Revolution.
Nikolay OLEYNIKOV (1976) is a Moscow based artist and activist, member of Chto Delat?, editor for the Chto Delat? newspaper, member of the editorial board of Moscow Art Magazine (2011), co-founder of the Learning Film Group and May Congress of Creative Workers, and member of the Arkady Kots band. Since 2013 Oleynikov has been a tutor at The School of Rose (School of Engaged Art Chto Delat) and a proud member of the board of ROSA’S House of Culture, a multidisciplinary hub for new practices of engaged culture in St.Petersburg.
Oleynikov is also the author of the book SEX of the OPPRESSED (FreeMarxistPress 2013, PS-Guelph 2016) and an editor for ArtsEverywhere’s section on New Russian Colonialism and an upcoming series of publications entitled Tracing the Now.
Bahar Orang is a medical student at McMaster University. She holds an MA in Comparative Literature and a BASc in Arts & Science, and is passionate about women’s health and narrative medicine.
Alexis Ortiz is an ELNYA fellow.
Eliana Otta is a multidisciplinary artist. Her work explores how to live together in neoliberal, individualistic urban spaces, the conditions of precarious labor, and possibilities for crossing feminism, politics and poetry. She has a Master’s Degree in Cultural Studies, and was the coordinator for the Lugar de la Memoria’s curatorial team, a national space dedicated to the period of political violence experienced in Peru between 1980 and 2000.
Majken Overgaard is a specialist in innovation and entrepreneurship, focusing on technology and contemporary art. She has worked both as a facilitator, manager, and curator on a broad range of projects such as research and innovation projects, exhibitions and networks. Her creative methodologies are inspired by the hacker/maker culture and avant-garde contemporary art. Since 2011 she has co-founded three companies; furthermore she is working as an external lecturer at the Danish IT University and Copenhagen University and has initiated a many different initiatives for people working cross-disciplinary within technology and art, such as a feministic hacker network for artists in Copenhagen.
Philip Kevin Paul
Philip Kevin Paul is a member of the W̱SÁNEĆ Nation from the Saanich Peninsula on Vancouver Island. His work has been published in BC Studies, Literary Review of Canada, Breathing Fire: Canada’s New Poets and An Anthology of Canadian Native Literature in English. Paul has worked with the University of Victoria’s linguistics department to ensure the preservation of the SENĆOŦEN language.
Philip Kevin Paul’s second book of poetry, Little Hunger, was shortlisted for a 2009 Governor General’s Literary Award. His first book of poetry, Taking the Names Down from the Hill, won the 2004 Dorothy Livesay Award for Poetry.
Evan is a designer currently pursuing his Master of Architecture in the History and Theory of Architecture at McGill University where his research explores the intersection of sexuality, architecture, memory, and urban space.
Gary Lee Pelletier
Gary Lee Pelletier is a Ph.D. candidate in the Gender, Feminist, and Women’s Studies Graduate Program at York University. His current research focuses on the intersection of queer negative affects, feminisms, and solidarity. He lives in Toronto with his partner, many cats, many plants, a dog, and, until recently, a hip 92 year old grandmother.
Asmara Pelupessy is co-editor of the book UNFIXED: Photography and Postcolonial Perspectives in Contemporary Art. She was researcher and producer for Via PanAm, Dutch photojournalist Kadir van Lohuizen’s yearlong project on migration in the Americas. She also worked as Archive Researcher at World Press Photo
Alexei Penzin received his PhD from the Institute of Philosophy of Russian Academy of Sciences, Moscow. His research centres on contemporary interpretations of Marxist thought, continental philosophy and critical theory, contemporary art theory, and Soviet and post-Soviet intellectual and cultural history. He is currently teaching at the University of Wolverhampton.
Penzin has published his research in numerous journal articles in such journals as Rethinking Marxism, Mediations, South Atlantic Quarterly, Manifesta Journal, as well as in many edited collections. His essay ‘Rex Exsomnis’ (Hatje Cantz Verlag, 2012) was part of the dOCUMENTA13 series. Currently, he is preparing his book Against the Continuum: Sleep and Subjectivity in Capitalist Modernity, for publication by Bloomsbury Academic in 2017.
Dr. Edna Peres has a background in architecture, urbanism, writing, and academia. Having obtained a master’s degree in architecture, she then worked at studioMAS for over 6 years focusing on urban design. She went on to pursue doctoral study at the University of Pretoria, from which she graduated in 2016. Her experience includes regenerative design, urban resilience thinking, transit-oriented design, sustainability, low/medium/high-end housing settlements, adaptive reuse, inner city development, as well as ecological urbanism.
She has been lecturing part-time at the University of Pretoria’s School of the Built Environment since 2009 and recently joined the University of Johannesburg’s Graduate School of Architecture, where she runs a unit with Dr. Finzi Saidi. She has also been involved in documenting the development of a residential case study project called Stand 47 on a digital platform for The New Order.
Amrit Phull is an Intern Architect living, working, and writing in Toronto. Her previous work in Eastern James Bay Cree Territory informs her current research on indigenous place-making within Canadian urban centres. She is pursuing this research with Brook McIlroy Architects & Planners.
Alessandra Pomarico is a curator of international and multidisciplinary residency programs at the intersection of arts, pedagogy, social issues, nano-politics, and community building. Her practice is based on research and context-based art projects, with a focus on social change. Mobilizing and bridging local institutions, governmental bodies, different communities, artists, cultural actors and activists from the local and international world, Alessandra’s challenges have echoed in life long artistic collaborations, some poetic failures, and great friendships.
Quigley has participated in and organized “para-academic” educational initiatives in Vancouver and Toronto, and has been a member of Turkish translation workshops. His current research examines Arabic and Middle-Eastern appropriations of French existentialist literature and philosophy through Derridean deconstruction.
Karol Radziszewski is a multidisciplinary artist, filmmaker, and curator. His archive-based methodology crosses multiple cultural, historical, religious, social, and gender references. He is the editor-in-chief of DIK Fagazine, a magazine that combines queer archival research with contemporary art contributions; he is also the founder of the Queer Archives Institute. His work has been presented in institutions such as the National Museum, Museum of Modern Art, Zacheta National Gallery of Art (Warsaw), Kunsthalle Wien, New Museum (New York), Cobra Museum (Amsterdam), and Wroclaw Contemporary Museum and Muzeum Sztuki in Lodz. He has participated in several international biennales including PERFORMA 13 (New York), 7th Göteborg Biennial, 4th Prague Biennial, and 15th WRO Media Art Biennale. He lives and works in Warsaw.
Mykola Ridnyi (b.1985 in Kharkiv, Ukraine) is an artist and curator. He was a curator of the SOSka gallery-laboratory in Kharkiv from 2005–2012. Since 2016 he has been a co-editor of Prostory, an online platform for visual art, literature, translation and politics.
His works have been shown at the 56th Venice bienniale for contemporary art (2015), Museum of modern art in Warsaw (2015), Pinakothek der Moderne in Munich (2016), Museum for contemporary art Leipzig (2015, 2016), The School of Kyiv – Kyiv biennial (2015) and others venues and events.
Michael Roberson is a public health practitioner, activist, and leader within the LGBTQ community who created The Federation of Ballroom Houses, co-created the National Black Gay Men’s Advocacy Group and the nationally diffused CDC behavioral change HIV prevention intervention “Many Men, Many Voices.” Currently, he consults for several national community-based organizations focused on HIV clinical trial/biomedical and evidence-based interventions. He is also invested in national community capacity building and mobilization strategies designed to combat the disproportionate health disparities impacting both the black gay and black/Latino LGBT house ball communities. Michael co-teaches a course on the history of the house/ball community at New School University (New York), is a member of Ultra-red, and is the Scholar in Residence for the Center for Race, Religion and Economic Democracy (CRRED) at Union Theological Seminary. Michael earned Master of Divinity and Master of Sacred Theology degrees from Union Theological Seminary.
Joy Roberts is a communicator, philanthropist, and fundraiser with emphases on natural environments and ecologies and on the value of the arts in our daily lives. Joy is a founder of the Musagetes Foundation and the Eramosa Institute. She has been the Chair of Musagetes since 2009 and a devoted volunteer at the rare Charitable Research Reserve for the past 13 years. Joy received her doctorate from the University of Waterloo in Rhetoric, a field concerned with human motivation and persuasion.
Caroline Robinson is the Founder and Director of Cabal, a pioneering arts, design, and facilitation practice based in Auckland, New Zealand. Cabal began in 1990 as a clothing label, including multi-award winning wearable arts and theatre design. Cabal’s current focus is within land-based design processes, bringing an wholistic, deep kinship approach that draws together art, culture and healing, research and storytelling, integration facilitation, design, and construction. Cabal has been awarded numerous high profile public commissions, contributing to some of New Zealand’s largest and most complex urban design and infrastructure developments. Each project is approached as an opportunity to explore and develop the human journey, using simple tools and processes that nourish reciprocal relationship and regeneration—whole people and whole places. Caroline is author of ‘Panmure Sense of Place Scrapbook’ and ‘The Artist’s Workbook’ supporting professional development for visual artists, commissioned by Artist Alliance NZ.
Monica Rodriguez is a photographer and journalist based in New York, NY. She enjoys writing about human rights, tech, U.S. politics, and foreign affairs. In addition to Monica’s reporting, her written work includes poetry, short stories, and longer pieces of fiction.
Rosa is as an architect, publication and exhibition designer with an MA in Architecture from the Royal College of Art. After previously working for MVRDV, Grimshaw and Farshid Moussavi Architecture, she is currently working for the London Festival of Architecture: a city-wide architectural celebration of that will this June host over 350 events around the theme of ‘Community’. Her personal interest lies in the intersection of architecture and politics.
Ezio Rosa, 22 anos, dançarino do corpo de baile do bloco afro Ilu Inã, performer, arte educador social, abordando as temáticas englobadas na lei 10.639, DJ da festa Batekoo, criador e escritor do Tumblr Bicha Nagô, no qual propõe a discussão sobre homossexualidade trazendo as intersecções de raça e classe.Ezio Rosa, aged 22, is a performer; dances with the ensemble of the African Carnival block Ilu Inã; acts as a social art educator, approaching themes related to the Law 10.639, regarding instruction on Afro-Brazilian culture; is the DJ of Batekoo party; and also created the tumblr Bicha Nagô, where he discusses homosexuality at the intersection of race and class-related issues.
Together with Sixten Kai Nielsen, Martin Rosengaard has run the Wooloo.org artists network since 2002. The duo has exhibited their work at a wealth of international venues — including Manifesta 8 and the 55th Venice Biennial — but these days they focus all their time on Human Hotel, a curated travel community.
Amanda Roth is an editorial assistant at World Policy Journal and a current graduate student at Columbia University’s School of International and Public Affairs.
Mary Rothlisberger is a citizen artist with an emphasis on cultural empowerment in rural and under-recognized communities. Her work is conversational and research-based, in response to the social, built, and natural environments we situate ourselves within.
Mary W. Rowe is an urbanist and civic entrepreneur. She currently lives in New York City and works with government, business and civil society organizations to strengthen the economic, social, cultural and environmental resilience of the city and its neighborhoods. Her particular focus is creating local, national and international learning networks of urban practitioners developing local innovations that foster local livability and resilience, of which art and cultural heritage are key components. Her tenure in New York City follows five years of intense work in the recovering city of New Orleans post Katrina, where she helped form the New Orleans Institute for Resilience and Innovation, a loose alliance of initiatives that emerged in response to the systemic collapses of 2005.
Rena Rädle & Vladan Jeremić
Rena Rädle & Vladan Jeremić are Belgrade-based artists whose artistic practice comprises working with drawing, text, video, and photography. Since 2002, they have developed a joint artistic practice, exploring the overlapping space between art and politics. In their artistic work, they focus on social and economic conditions of reproduction, unveiling in a provoking way the contradictions of today’s societies. With means of artistic research and analysis that combine text, slogans, photo, video, drawing, and public action, they transform discourses both in the arts and in the political field. A focus of their work is historical and emerging constellations that bring forward emancipatory action and movements of precarious workers, art workers, and migrant workers. Their projects include engagement in current public debates and struggles, cross-disciplinary collaboration, and dissemination through different media and channels. Rena Rädle and Vladan Jeremić are editors of a number of publications, including the issue Reclaiming Realism of the Open Systems Journal, Austria and the ArtLeaks Gazette. Rädle and Jeremić have worked with groups such as the Chto Delat?, ArtLeaks, Perpetuum Mobilε, and other collectives. They are founders of the Unbribables together with Tony Maslić and Nikola Radivojević.
Albie Sach is a former judge on the Constitutional Court of South Africa.
Dr. Finzi Saidi joined the Department of Architecture in the faculty of Art, Design and Architecture at University of Johannesburg in 2008. He is head of the undergraduate architecture programmes. He was appointed vice-dean of the faculty in August 2010 – 2013. Previously, he was the convenor of the Master of Landscape Architecture Programme in the School of Architecture at the University of Cape Town.
In 1998, he lectured at the Architecture and Landscape Architecture Department at the University of Pretoria, from where he subsequently acquired his PhD in Architecture. He obtained his Master of Landscape Design degree from the University of Newcastle-upon-Tyne in the U.K. He then taught at the School of the Built Environment at the Copperbelt University in Zambia. His research interests include studies of open space in informal settlements and townships in South Africa, exploring innercity schools and urban open space, and innovative curriculum development.
Rebecca Salminen Witt
Rebecca Salminen Witt is the President of The Greening of Detroit, a 25 year old non-profit environmental organization that works to secure the ecosystem of Detroit, Michigan by coordinating tree plantings, supporting community gardening, providing outdoor education to Detroit schoolchildren and sponsoring green jobs training programs for teenagers and adults. Rebecca finds inspiration in Detroit’s people and its possibilities. For the past 19 years she has turned inspiration into action by guiding The Greening’s growth from a staff of three with an annual budget of $235,000 USD to a 34-person, $6 million per year operation, planting 6,000 trees, providing nutrition and environmental education to nearly 10,000 children and placing 100 Detroiters in green jobs each year.
Rasmus Sangild is head of press and communication at the Danish Council on Climate Change and has been working with climate change related politics for a number of years. He lives in Copenhagen and has a background in literature, philosophy and culture studies. Opinions expressed reflect writer’s own views.
Sarah Schulman’s most recent books are the novel THE COSMOPOLITANS, selected by Publishers Weekly as one of the 20 best novels of 2016, and CONFLICT IS NOT ABUSE: Overstating Harm, Community Responsibility, and The Duty of Repair. She is Distinguished Professor of the Humanities at the City University of New York, College of Staten Island.
Jason Schupbach is the Director of Design Programs for the National Endowment for the Arts, where he oversees all design and creative placemaking, grantmaking and partnerships, including Our Town and Design Art Works grants, the Mayor’s Institute on City Design, the Citizens’ Institute on Rural Design, and the NEA’s federal agency collaborations. Previous to his current position, Jason served Governor Patrick of Massachusetts as the Creative Economy Director, tasked with growing creative and tech businesses in the state. He was formerly the director of ArtistLink, a Ford Foundation-funded initiative to stabilize and revitalize communities through the creation of affordable space and innovative environments for creatives. He has also worked for the Mayor of Chicago and New York City’s Department of Cultural Affairs.
Kathryn Schwartzkopf is an architectural designer based in Seattle, Washington. She has a Bachelor of Architectural Studies (2008) and a Master of Architecture (2015) from the University of Waterloo. Her research interests include the politics of public space, security design and forensic architecture.
Paula Segal is a lawyer and a founder of 596 Acres.
Victor Seguela received his Master’s in Architecture from Ecole Nationale Supérieure d’Architecture de Paris-Val de Seine. He lived and worked in Mamoudzou, Mayotte in 2014-2015. He is based in Paris, France.
Jose Serrano-McClain is an artist, educator, and community organizer who works to support the community of cultural practitioners in NYC.
Jose Serrano-McClain is an artist, educator, and community organizer who works to support the community of cultural practitioners in NYC.
Shirlynn Sham is a research assistant at the World Policy Institute and an undergraduate student at Columbia University majoring in Art History and Political Science.
Laura Shillington is a faculty member in the Department of Geosciences at John Abbott College in Montréal. In 2014-2015, she held a one year position as Assistant Professor in the Department of Environment and Development at the University for Peace (UPeace). Currently, she is teaching an online graduate reading course in urban nature and environment at UPeace. While at UPeace, she was a lecturer for the Summer Peace Institute, University of California, Berkeley. Dr. Shillington is also a Research Associate with the Loyola Sustainability Research Centre at Concordia University in Montréal. See lshillington.org.
Kira Simon-Kennedy is the co-founder and director of China Residencies, a nonprofit supporting creative exchange within China and the diaspora by sharing resources and creating a network of over 30 different residencies in mainland China and Hong Kong. Through the nonprofit’s year-old fiscal sponsorship program, China Residencies supports creative collectives and community organizations like BUFU, a collaborative living archive centered around (pan)Black and (pan)Asian cultural and political relationships; Yellow Jackets, a queer/intersectional Yellow American collective collaborating towards radical futures that centralize marginalized bodies; and The W.O.W Project, a community space and artist residency shaping the future of New York’s Chinatown. Kira is also an independent film and documentary producer, and one of the founders of res, a search engine to help connect creative people with opportunities worldwide.
Rasmus R. Simonsen is a full-time faculty member at the Copenhagen School of Design and Technology, where he teaches media studies and communication courses. Simonsen has recently published a collection of essays with Jodey Castricano titled Critical Perspectives on Veganism (Palgrave). He has published articles in Leviathan: A Journal of Melville Studies, Children’s Literature, Journal for Critical Animal Studies, and American Studies in Scandinavia. Furthermore, his work appears in a number of edited book collections. In addition to literature, cultural studies, and animal studies, Simonsen writes about subjects related to design and fashion theory.
Maya Singhal is a former editorial assistant at World Policy Journal and a graduate student at New York University.
Niki Singleton is a Canadian drawer, painter, and found material sculptor based in Brooklyn. Some of her projects include Echoes of the Lost Boys of Sudan, a 130-page graphic novel on the survival stories of four Sudanese refugees, a gay tragic/comic strip series on Facebook, and a political comic series Counter Clockwise published on The Mantle. Her work usually focuses on the underdog or fringe groups whose voices go unheard. Niki has undertaken residencies in France, the Netherlands, and New York, and she has had solo exhibitions at Undercurrent Projects (New York), the Holocaust Museum (Dallas), and Imagine Ic (Amsterdam). Her work has been included in group exhibitions at Friedman Gallery, Nurture Art, and White Box Gallery (New York) as well as Life on Mars Gallery, Fireproof Gallery, Studio 10, and Triangle Workshop (Brooklyn).
Crystal Smith is a Tsimshian, Haisla and Heiltsuk warrior mother. She is living as guest on Unceded Coast Salish Territory and is currently a Graduate student at UBC. She is also an accomplished poet and spoken word performer. Using poetry and spoken word she hopes to uncover the oppression Indigenous people face and the pain inflicted on our earth to ignite a wave of hope which can travel throughout different generations.
Lee Smolin is a theoretical physicist who is a founding and senior faculty member at Perimeter Institute for Theoretical Physics. His main contributions have been to the quantum theory of gravity, to which he has been a co-inventor and major contributor to two major directions: loop quantum gravity and deformed special relativity. He also contributes to cosmology through his proposal of cosmological natural selection: a falsifiable mechanism to explain the choice of the laws of physics. He also has written four books: Life of the Cosmos, Three Roads to Quantum Gravity, The Trouble with Physics and Time Reborn. Most recently, he co-authored The Singular Universe and The Reality of Time with Roberto Mangabeira Unger.
Photo Credit: Nir Baraket
Thiago de Paula Souza
Thiago de Paula Souza lives in São Paulo, where he works as an educator at the Afro-Brazilian Museum (Museu Afro Brazil). His current research concerns race relations, African and Afro-Brazilian art, and the depiction of art from Africa and the diaspora in the German-speaking context. He is a member of Lanchonete.org
Gian Spina is a researcher and artist who teaches art theory at the International Art Academy, Palestine in Ramallah. His work can be seen at http://gianspina.com.
Alyssa Stein is an editorial assistant at World Policy Journal
Adrian Stimson is a member of the Siksika (Blackfoot) Nation in southern Alberta. He is an interdisciplinary artist, curator and educator who has a BFA with distinction from the Alberta College of Art & Design and an MFA from the University of Saskatchewan. As an interdisciplinary artist, Adrian’s work includes paintings, installations, sculpture and performance.
Mikkel Stjernberg (born 1972). Danish Writer and Entrepreneur. Co-founder & COO of Storyfriend. Originaly educated as a journalist and specialized in digital journalism. Former speechwriter for the Deputy Prime Minister of Denmark. Spend five years as a top-level instructor in the personal development industry before returning to the world of digital media. Madly in love with the creative process of teams and how it can bring things into a different orbit altogether. Lives in Elsinore, Denmark with artist Sara Leanda and their three kids. When not writing his next novel or playing around with new movements on the floor, you will find him in the kitchen baking bread and inventing recipes.
Ivor Stodolsky (curator and theorist, Berlin-Helsinki) is Co-Founding Director and Curator of Perpetuum Mobile (www.perpetualmobile.org). PM’s recent thematic projects include the Re-Aligned Project (Berlin, Cairo, Moscow Biennial 2013, Tromso, Checkpoint (Helsinki 2014, Athens Biennale 2015, etc.), the Perpetual Pavilion (Venice Biennale 2009, Berlin 2013, etc), The Arts Assembly (Manifesta 8, CAFA, Beaux Arts), The School of the Displaced (Kiev Biennial 2015, Helsinki), and Pluriculturalism (Moderna Museet, Malmö). A writer with a background in philosophy, social theory and anthropological research, he is also an editor of publications such as “The Raw, The Cooked and The Packaged” and “The Square” newspapers as well as PM films. In 2016 he has been largely focussed on PM’s Artist at Risk platform which received the Annual Art Act Award for Safe Haven Helsinki, and was honoured with the European Citizen’s Prize of the European Parliament in Brussels.
Born and raised in Prince Albert, Saskatchewan, Jason holds a B.Arch from Carleton University and is currently a graduate student in architecture at UBC. He has worked intermittently for Douglas Cardinal Architect since 2014 as well as Oxbow Architecture in Saskatoon. He aims to create culturally contextual work that is appropriate for the social, economic, and political environment it will perform within. He is a member of Fish Lake Métis Local #108, and the Métis Nation of Saskatchewan.
Keijiro Suzuki is an interdisciplinary contemporary artist who applies art and social practice into community. He was born in Nagoya in 1981 and received his B.A. in Humanities and Social Sciences from Nagoya City University in 2004 and completed his M.F.A. in Sculpture at the University of Houston in 2010.
Suzuki works on cross-cultural perspectives, interpretations, and imaginations by employing anthropological and journalistic approaches to local culture and context. He creates fictitious realities and stories, layering these into various forms of art and experiences. These works, in turn reflect on our own perspectives while evoking a particular cultural mental structure. He invents visual rhetoric to trigger random associations that give his audience a chance to see alternative perspectives and interpretations about their own presence, culture, and life.
Suzuki is also a cultural connector and an initiator of an alternative art space called “the temporary space”, focused on collaborative projects with other art organizations in Japan and abroad. In 2015, he launched an art and design production project called cagerow production, which aims to internationally connect Japan’s skill, materials, wisdom, and aesthetics.
Jakub Szczęsny (1973) is the first Polish architect who’s project, Keret House, was included in MoMA’s permanent collection in New York. He works on the verge of architecture, art and design, using building and semi-industrial technologies as matter for artistic expression. His installations can be found in places with complex socio-historical context like Palestine (The Lace in The Garden of Nations), Israel (Tamaguchi Park in Bat Yam), USA ( UFO Chicken coop in Saint Louis Science Center) and Poland (Aureola in Wrocław). In parallel with art projects, he runs his own architecture office SZCZ in Warsaw (www.szcz.com.pl) and teaches in The School of Form in Poznań, apart from lecturing in such institutions as IAAC, Bezalel School of Architecture, FAU, and Warsaw Institute of Technology. His works can be found in private and public collections.
Pelin Tan is an assistant professor for the New Media Department at Kadir Has University in Istanbul. In 2011, Tan was The MIT Program in Art, Culture, and Technology fellow.
Michael Taylor is an Architect and Urban Systems Analyst in Zurich. He has studied at The Architectural Association, UBC, and The Queen’s School of Business. His work focuses on strategy in business and design.
Karina Taylor is an editorial assistant at World Policy Journal.
Kate is a British-American journalist, editor and researcher. She lived in West Africa for seven years, including three years in Liberia, where her stories and long-term projects for The Independent, BBC, Reuters and UN agencies looked at healthcare systems, refugee rights and the arts. Her research interests include the relationship between health and narrative, as well as African migration – the subject of a collection of oral histories that she’s compiling. Kate graduated from the University of Warwick and the University of London in Paris. She is the author of Lonely Planet guidebooks to countries including Kenya, Libya, Guinea-Bissau, Liberia and Sierra Leone. She speaks French, German and Portuguese, and enjoys overland travel and getting lost in books and nature.
Artist, writer and filmmaker, her work combines approaches from performance, drawing, architecture, moving image and sound. Select works of hers has been featured at Jeu de Paume le magazine (2016), the Greek Pavilion at the 15th Venice Biennale of Architecture (2016), Flux Factory, New York (2016), and YNKB, Copenhagen (2014). Recent texts of hers have appeared in visAvis: Voices on Asylum and Migration and Journal of Contemporary Archaeology. She lives in Athens.
Vicente Todolí’s career in the visual arts spans more than 30 years, and includes positions as Chief Curator (1986-88) and then artistic director of the IVAM (Valencian Institute of Modern Art, 1988-1996). In 1996, he joined the Museum of Contemporary Art Serralves and served as its founding director until 2002. In 2002, he was appointed Director of the Tate Modern by the Trustees of the Tate, where he joined full-time in March 2003 and left in June 2010. At Tate Modern, he curated exhibitions of Sigmar Polke, Robert Frank, Fischli & Weiss, Cildo Meireles, “Rodchenko and Popova: Defining Constructivism”, and “Van Doesburg and the International Avant Garde”. He was appointed artistic director of Pirelli Hangar Bicocca in May 2012. Currently he advises various museums and foundations, including the Botin Foundation in Santander where he serves as chair of the advisory board, and he is the sole adviser for Per Amor a l’Art Foundation in Valencia, and Inelcom collection in Madrid.
Author Coumba Touré comes from Mali and Senegal, in West Africa. With Muu-So, she has crafted a tale of the beauty of the process of creation and how it is also necessary to closely care for and love that which we are responsible for.
Anne Trumble is a landscape and urban designer based in Los Angeles. She is the founder of Cultural Landscape Agency and Emerging Terrain, organizations with missions of increasing engagement in the built environment. Trumble earned her graduate degree in landscape architecture from the University of British Columbia, and practiced professionally in New York City where she designed and managed the redevelopment of 125th Street in Harlem, as well as other parks, plazas, and streetscapes. She has taught city-scale design studios at Columbia University and the University of Nebraska-Lincoln. Anne is currently working with the Arid Lands Institute in Los Angeles.
Ashley Tucker is the Program Director at the Artistic Freedom Initiative, leading planning and implementation of its programs and legal services for at-risk artists. Having lived, worked, and volunteered abroad for many years, Ashley has dedicated her career to international human rights and social justice.
Ashley has worked for the United Nations Human Rights Committee in Geneva, the Robert F. Kennedy Center for Justice and Human Rights, the Centre for Civil and Political Rights, and PEN America’s Artists At Risk Connection. She has conducted research and human rights trainings in Haiti, worked on strategic litigation before the Inter-American Commission on Human Rights, and worked as a volunteer in El Salvador and Nicaragua.
Ashley received her BA from University of Arizona in Studio Art, and her JD from City University of New York (CUNY) School of Law. She is admitted to practice law in New York. Ashley lives and works in New York City.
cheyanne turions is an independent curator and writer who holds a degree in Philosophy from the University of British Columbia, and is currently pursing a master’s degree in Visual Studies from the University of Toronto. From the farmlands of Treaty 8, she is of settler and Indigenous ancestry. She sits on the Board of Directors for Kunstverein Toronto, the Editorial Advisory Committee for C Magazine and the Advisory Board for the Art Museum at the University of Toronto. She is the director of No Reading After the Internet (Toronto).
Dr. Helga Turku is a consultant for USAID-funded rule of law projects in Haiti and Cote d’Ivoire.
Nissa Tzun is a media artist and community organizer. For the last 8 years Nissa has been working on a long-term documentary project called the Forced Trajectory Project (FTP), which documents the narratives of families who have lost loved ones to police violence. The multimedia exhibit incorporates film, photography, sound, and illustration to translate the collective experience of individuals and communities that suffer from police violence, in order to amplify their voices and to inform the discussion of social change in the United States. FTP has been exhibited across the nation at conferences, film festivals, social justice events, and galleries. It was featured as a spotlight project at Groundswell’s National Network Gathering at Allied Media Conference in 2015, has been a two-time recipient of the JustFilms Travel Grant, was awarded the OHA Emerging Crisis Grant in 2015, received Honorable Mention at a juried exhibition at Left of Center Gallery in January 2016, and was most recently awarded the 2016 LIUU Grant for Social Change. She is the co-founder of Families United 4 Justice, a family-led initiative to bring awareness of police violence issues through sharing the collective experience of those affected by police violence. Nissa resides in Las Vegas, where she is attending graduate school for her Master’s in Social Work.
Department of Unusual Certainties
DoUC (Department of Unusual Certainties) is a creative studio who employ their natural curiosity to design experiences, visualizations, and spaces that simplify the seemingly complex and inspire thought and dialogue.
We experiment with storytelling through exploration and design. We practice the tradition of pragmatism and are directed by curiosity, information and perceived knowledge.
In 2010, DoUC started as a result of a shared need to ask questions about our everyday existence. This curiosity continues to grow and has manifested over the years through projects that traverse urban design, public art, social engagement, cartography, and education. Our hope is to affect the social good through the physical world and to help build society through our work. Sometimes strange, beautiful or controversial, DoUC tells each story with a dedication to creating substantive experiences and content that people can engage with, reflect on and react to.
Paula Van Erven
Paula Van Erven is an artist, member of Lanchonete.org, currently living and working in São Paulo, Brazil. She holds a Studio Arts B.A. from Bard College, and has also pursued Urban Policy studies at a postgraduate level.
Mike Van Graan
Mike van Graan is the Executive Director of the African Arts Institute (AFAI), a South African NGO based in Cape Town whose two-fold mission is to help develop leadership for the African creative sector and to build regional markets for African artists and their creative works.
Born in 1985 in Pacaembu in State of São Paulo, Brazil, currently lives in Amsterdam. Works transdisciplinary in different practices such as performance, dance, theatre, film, music, visual arts, trans, drag, queer, fashion and graphic design. Studied dance, theatre, music and circus through varied formal and informal training processes. Graduated in arts at State University of Londrina, Paraná, Brazil (2006-2009). Continued studies in performativity with COMO clube artist platform, São Paulo (2011-2014). Post-master in performance at A.PASS (Advanced Performance And Scenography Studies)(2014-2016), Brussels/Belgium. Participated/participates in Free Home University radical and artistic pedagogy experiment, Lecce/Italy. Currently doing Master of Voice at Sandberg Instituut in Amsterdam.
Among some recent works are: the films The Get Up, directed by Daniel Favaretto and Dudu Quintanilha and the Pink Color: Los Estados Unidos del Fuego, directed by Octavio Tavares and Francisca Oyaneder. The performance projects PRIVATE ROOM, PRETA and INDUMENTARIA POPULAR. Currently developing transdisciplinary project #iwannamakerevolution, about placement and displacement, mutant and in transit bodies. Started in post-master at A.PASS and currently completing Master of Voice at Sandberg Instituut in Amsterdam with collaboration and support by ArtsEverywhere/Musagetes, a Canadian philanthropic arts organisation.
Mark V. Vlasic
Mark V. Vlasic is a senior fellow and adjunct professor of law at Georgetown University and had served as the first head of operations of the joint World Bank-U.N. Stolen Asset Recovery Initiative.
Katharina von Schroeder
Katharina von Schroeder is a documentary filmmaker . She has produced and directed documentary films in countries such as Russia, Rwanda, Sudan, South Sudan, Kenya and Nigeria. Her recent film We Were Rebels won “Best Documentary” at Brooklyn Film Festival and the German TV Award, “Grimme Preis” 2015
Andrew Vowles writes on arts, culture and connections in Guelph, Ontario. He has written about science, environment, arts, culture, health and travel.
VUTH Lyno (b. 1982, Phnom Penh) is an artist, curator and Co-founding Artistic Director of Sa Sa Art Projects, an artist-run space initiated by Stiev Selapak collective. His artistic and curatorial practice is primarily participatory in nature, exploring collective learning and experimentation, and sharing of multiple voices through exchanges. His interest intersects micro histories, histories of photography, notions of community, and production of social situations. Vuth holds a Master of Art History from the State University of New York, Binghamton, supported by Fulbright fellowship (2013-15).
His recent curatorial projects include When the River Reverses (2017), Sa Sa Art Projects, Phnom Penh; Oscillation (2016), the Art Center of Chulalongkorn University, Bangkok; and Traversing Expanses (2014), SA SA BASSAC, Phnom Penh. Vuth’s recent exhibitions include Unsettled Assignments (2017) in collaboration with Sidd Perez, SIFA, Singapore; Public Spirits (2016-17), CCA, Warsaw; South by Southeast (2015 & 2016), Osage Gallery, Hong Kong & Guangdong Times Museum, Guangzhou; and Family Snaps: Photography in Southeast Asia (2014), Chiang Mai City Arts & Culture Centre, Chiang Mai.
He is a co-founder, with Roger Nelson, of Vetika Brovoat Selapak – Art History Forum, a platform for educational and scholarly events about Cambodian and other art histories, and a co-founding editorial member of the scholarly journal SOUTHEAST OF NOW: Directions in Contemporary and Modern Art in Asia. His writing has been published in journals including Udaya: Journal of Khmer Studies and Trans Asia Photography Review, at which he is also an editorial board member.
Anne Waak is an author based in Berlin. She writes mostly about cultural and social topics for magazines and newspapers such as Welt am Sonntag, Monopol, and Dummy. She was born in 1982 in Dresden (then German Democratic Republic) and studied literature, musicology, and journalism in Berlin and Paris. She has published a book on music journalism called Spex – Das Buch. 33 1/3 Jahre Pop, (with Max Dax) and another on how young creatives and artists in Berlin deal with social welfare titled Hartz IV und wir – Protokolle. Her next work is a non-fiction about the history of suicide and will be out in November 2016.
Alice Wang was a 2012 World Policy Institute Research Assistant.
Mike Watson is an art theorist and curator based in Italy. He holds a PhD in Philosophy from Goldsmiths College and has curated for Nomas Foundation and at the 55th and 56th Venice Biennales. He has written regularly for Frieze, Art Review, and Radical Philosophy. His book, Towards a Conceptual Militancy, available from Zero Books on 27 May 2016, calls on the artist to mount a defence of subjective freedom in opposition to the twin objectifying factors of Science and Capital, personified by growing surveillance technology. The book is both a critique of the political left and the art world, ultimately arguing for a commons-based cultural management that can act a space or rethinking the approach of the left. Mike lives and works in Rome where he is an adjunct professor at John Cabot University.
L. Grace Weber
L. Grace Weber is a graduate of Wesleyan University (B.A. Gender & History) and Universiteit Utrecht (R.M.A. Gender & Ethnicity), and she is currently pursuing a PhD in Cultural Studies & Comparative Literature at the University of Minnesota where she focuses on postcolonial studies, Marxist theory, and feminist/queer materialisms.
Dr. Weinstock holds a Canada Research Chair in Ethics and Political Philosophy and is the founding director of the Centre de recherche en éthique de l’Université de Montréal. He is a prize fellow of the Pierre Elliott Trudeau Foundation (2004), and a recipient of the André-Laurendeau Prize given by the Association canadienne-française pour l’avancement des sciences. His areas of expertise include the politics of language and identity, democracy, citizenship, and pluralism. He has also been an active participant in public policy in Québec, having been a member from 1997 to 1999 of a Ministry of Education working group on religion in public schools, and from 2003 to the present, the founding director of Quebec’s Public Health Ethics Committee. Dr. Weinstock holds a PhD in philosophy (Oxford University), and an MA in political philosophy and a BA in French literature and political philosophy (McGill University).
Elisabeth Wellershaus is a journalist based in Berlin. She is an editor for Contemporary And and belongs to the 10nach8 Team at ZEIT ONLINE.
Tara Williamson is a member of the Opaskwayak Cree Nation and was raised in Gaabishkigamaag (Swan Lake, Manitoba). She is a writer, musician, and educator. Her latest album, Songs To Keep Us Warm, was nominated for a 2017 Indigenous Music Award and she is currently the Editor the Indigenous media platform, Indian & Cowboy.
Krzysztof Wodiczko is Professor in Residence of Art, Design and the Public Domain at the GSD. He is renowned for his large-scale slide and video projections on architectural facades and monuments. He has realized more than eighty such public projections in Australia, Austria, Canada, England, Germany, Holland, Ireland, Israel, Italy, Mexico, Poland, Spain, Switzerland, and the United States. Since the late 1980s, his projections have involved the active participation of marginalized and estranged city residents. Simultaneously, he has been designing and implementing a series of nomadic instruments and vehicles with homeless, immigrant, and war veteran operators for their survival and communication.
Since 1985, he has held many major retrospectives at institutions all over the world and his work has been exhibited in many major international art festivals and exhibitions. Wodiczko is the recipient of several awards, including the Hiroshima Prize in 1998 for his contribution as an artist to world peace.
Caroline Woolard is an artist, organizer, and co-founder of cultural equity initiatives http://OurGoods.org, http://TradeSchool.coop, and http://BFAMFAPhD.com.
Shuyin Wu obtained her Honours Bachelor of Architectural Studies (with Distinction) in 2012 and Master of Architectural Studies in 2016, from School of Architecture, University of Waterloo, Canada. She received the Student Scholarship from Moriyama RAIC International Prize and the Mitacs Globalink Research Award, which funded her research in China.
Michele Wucker was President of the World Policy Institute, a New York based center for global policy thought leadership, and Publisher of World Policy Journal. In 2007, she oversaw the re-incorporation of the World Policy Institute as a free-standing organization after its separation from The New School, a New York City based university.
Henry Yuan is the Secretary of Champion of Water Alliance and advisor to Thirst, a global water awareness campaign initiated by the Young Global Leaders of the World Economic Forum.
Tiffany Zorrilla, of Dominican descent, was born and raised in New York City. She is currently studying music and working to pursue her dream of becoming a Rockstar. She loves Rock and Roll music, tattoos, and cats. She is a singer-songwriter, and plays the mandolin and piano. Tiffany dreams of making an impact on the world through her music and her activism. She is currently a part of the Perfect City group, an organization that fights against displacement and the problems that stem from gentrification.
Ahmet Öğüt is a conceptual artist living and working in Amsterdam, Netherlands. He works with a broad range of media including video, photography, installation, drawing, and print media.